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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aScreening Morocco$b[electronic resource] $econtemporary film in a changing society /$fVale?rie K. Orlando
210   $aAthens [Ohio] $cOhio University Press$d2011
215   $a1 online resource (213 p.)
225 1 $aOhio University research in international studies, Africa series ;$vno. 89
300   $aDescription based upon print version of record.
311   $a0-89680-281-7 
320   $aIncludes bibliographical references and index.
320   $aIncludes filmography.
327   $aIntroduction: Moroccan national cinema: the making of an industry -- Theories and polemics: Moroccan films as social-realist texts -- Issues, contexts, and "culture wars": Marocains residants e? l'etranger (MREs) versus filmmakers at home -- Bad boys, drugs, and rock 'n' roll: the urban stories of Morocco -- Prison, torture, and testimony: retelling the memories of the lead years -- Women's voices: documenting Morocco through feminine lenses -- Conclusion: the future of Moroccan cinema?.
330   $aSince 1999 and the death of King Hassan II, Morocco has experienced adramatic social transformation. Encouraged by the more openly democraticclimate fostered by young King Mohammed VI, filmmakers have begunto explore the sociocultural and political debates of their country whilealso seeking to document the untold stories of a dark past.Screening Morocco: Contemporary Film in a ChangingSociety focuses on Moroccan films produced and distributedfrom 1999 to the present.  Moroccan cinema serves as an all-inclusive medium that providesa sounding board for a society that is remaking itself.Male and
410  0$aResearch in international studies.$pAfrica series ;$vno. 89.
606   $aMotion pictures$zMorocco$xHistory$y20th century
606   $aMotion pictures$xSocial aspects$zMorocco
615  0$aMotion pictures$xHistory
615  0$aMotion pictures$xSocial aspects
676   $a791.4309646
700   $aOrlando$b Vale?rie$f1963-$01565620
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801  1$bMiAaPQ
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906   $aBOOK
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996   $aScreening Morocco$93835478
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