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040   $aDip.to Studi Giuridici$bita
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100 1 $aZanuso, Francesca$0231566
245 10$aA ciascuno il suo :$bda Immanuel Kant a Norval Morris : oltre la visione moderna della retribuzione /$cFrancesca Zanuso
260   $aPadova :$bCEDAM,$c2000
300   $aviii, 188 p. ;$c24 cm
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135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe martial arts cinema of the Chinese diaspora$b[electronic resource] $eAng Lee, John Woo, and Jackie Chan in Hollywood /$fKin-Yan Szeto
210   $aCarbondale $cSouthern Illinois University Press$d2011
215   $a1 online resource (185 p.)
300   $aDescription based upon print version of record.
311   $a0-8093-3021-0 
320   $aIncludes bibliographical references and index.
327   $aIntroduction : cosmopolitical consciousness and martial arts cinema -- The martial arts cinema of the Chinese diaspora and Hollywood -- Ang Lee's Crouching tiger, hidden dragon in a cosmopolitical perspective -- Facing off east and west in the cinema of John Woo -- Jackie Chan's transnational film trajectory and politics of comic displacement -- Conclusion.
330   $aIn The Martial Arts Cinema of the Chinese Diaspora, Kin-Yan Szeto critically examines three of the most internationally famous martial arts film artists to arise out of the Chinese diaspora and travel far from their homelands to find commercial success in the world at large: Ang Lee, John Woo, and Jackie Chan. Positing the idea that these filmmakers' success is evidence of a ""cosmopolitical awareness"" arising from their cross-cultural ideological engagements and geopolitical displacements, Szeto demonstrates how this unique perspective allows these three filmmakers to develop and
606   $aMartial arts films$zUnited States$xHistory and criticism
615  0$aMartial arts films$xHistory and criticism.
676   $a791.43/657
700   $aSzeto$b Kin-Yan$f1971-$01547034
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910781323503321
996   $aThe martial arts cinema of the Chinese diaspora$93803031
997   $aUNINA