LEADER 03795nam  2200949 a 450 
001 9910781216103321
005 20230725050640.0
010   $a1-283-27838-3
010   $a9786613278388
010   $a0-520-95010-0
024 7 $a10.1525/9780520950108
035   $a(CKB)2550000000040034
035   $a(EBL)730038
035   $a(OCoLC)739051497
035   $a(SSID)ssj0000523902
035   $a(PQKBManifestationID)11913783
035   $a(PQKBTitleCode)TC0000523902
035   $a(PQKBWorkID)10543429
035   $a(PQKB)11476506
035   $a(StDuBDS)EDZ0000084705
035   $a(MiAaPQ)EBC730038
035   $a(MdBmJHUP)muse30944
035   $a(DE-B1597)519340
035   $a(OCoLC)747428756
035   $a(DE-B1597)9780520950108
035   $a(Au-PeEL)EBL730038
035   $a(CaPaEBR)ebr10482131
035   $a(CaONFJC)MIL327838
035   $a(EXLCZ)992550000000040034
100   $a20110204d2011      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aListening as spiritual practice in early modern Italy$b[electronic resource] /$fAndrew Dell'Antonio
210   $aBerkeley $cUniversity of California Press$d2011
215   $a1 online resource (232 p.)
300   $aDescription based upon print version of record.
311   $a0-520-26929-2 
320   $aIncludes bibliographical references and index.
327   $aRapt attention -- Aural collecting -- Proper listening -- Noble and manly understanding -- Envoy : from Gusto to Gou?t.
330   $aThe early seventeenth century, when the first operas were written and technical advances with far-reaching consequences-such as tonal music-began to develop, is also notable for another shift: the displacement of aristocratic music-makers by a new professional class of performers. In this book, Andrew Dell'Antonio looks at a related phenomenon: the rise of a cultivated audience whose skill involved listening rather than playing or singing. Drawing from contemporaneous discourses and other commentaries on music, the visual arts, and Church doctrine, Dell'Antonio links the new ideas about cultivated listening with other intellectual trends of the period: humanistic learning, contemplative listening (or watching) as an active spiritual practice, and musical mysticism as an ideal promoted by the Church as part of the Catholic Reformation.
606   $aMusic$zItaly$y17th century$xHistory and criticism
610   $a17th century italy.
610   $a17th century music.
610   $aaccademia.
610   $aancient roman history.
610   $aancient rome culture.
610   $aancient theology.
610   $aaristocratic music.
610   $abaroque culture.
610   $acatholic reformation.
610   $acatholicism and italy.
610   $acatholicism and music.
610   $aclassical music.
610   $acultural studies.
610   $aeuropean history.
610   $aeuropean music.
610   $aeuropean visual arts.
610   $ahistory of music.
610   $ahistory of opera.
610   $ahistory of religion.
610   $ahistory of visual arts.
610   $aitalian history.
610   $amusic and religion.
610   $amusic appreciation.
610   $amusic.
610   $amusicology.
610   $aperforming arts.
610   $apost tridentine rome.
610   $arenaissance culture.
615  0$aMusic$xHistory and criticism.
676   $a781.1/70945
700   $aDell'Antonio$b Andrew$01484897
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910781216103321
996   $aListening as spiritual practice in early modern Italy$93757307
997   $aUNINA