LEADER 03284nam 2200625 a 450 001 9910781204803321 005 20230725050516.0 010 $a0-8047-7911-2 024 7 $a10.1515/9780804779111 035 $a(CKB)2550000000039801 035 $a(EBL)728638 035 $a(OCoLC)741519737 035 $a(SSID)ssj0000525283 035 $a(PQKBManifestationID)12213206 035 $a(PQKBTitleCode)TC0000525283 035 $a(PQKBWorkID)10507423 035 $a(PQKB)11305681 035 $a(DE-B1597)564678 035 $a(DE-B1597)9780804779111 035 $a(Au-PeEL)EBL728638 035 $a(CaPaEBR)ebr10482303 035 $a(OCoLC)1198931934 035 $a(MiAaPQ)EBC728638 035 $a(EXLCZ)992550000000039801 100 $a20101130d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aReleasing the image$b[electronic resource] $efrom literature to new media /$fedited by Jacques Khalip and Robert Mitchell 210 $aStanford, Calif. $cStanford University Press$d2011 215 $a1 online resource (299 p.) 300 $aDescription based upon print version of record. 311 $a0-8047-6137-X 311 $a0-8047-6138-8 320 $aIncludes bibliographical references and index. 327 $aIntroduction : release--(non-)origination--concepts / Robert Mitchell and Jacques Khalip -- "Self-generated" images / Peter Geimer -- Ce?zanne's certainty / Jean-Luc Marion -- Nymphs / Giorgio Agamben -- From fixed to fluid : material-mental images between neural synchronization and computational mediation / Mark B.N. Hansen -- When the ear dreams : Dolby digital and the imagination of sound / Vivian Sobchack -- Imaging sound in new media art : Asia acoustics, distributed / Timothy Murray -- Three theses on the life-image (Deleuze, cinema, biopolitics) / Cesare Casarino -- On producing the concept of the image-concept / Kenneth Surin -- The romantic image of the intentional structure / Forest Pyle -- Ur-ability : force and image from Kant to Benjamin / Kevin McLaughlin -- The tongue of the eye : what "art history" means / Bernard Stiegler. 330 $aIt has become a commonplace that ""images"" were central to the twentieth century and that their role will be even more powerful in the twenty-first. But what is an image and what can an image be? Releasing the Image understands images as something beyond mere representations of things. Releasing images from that function, it shows them to be self-referential and self-generative, and in this way capable of producing forms of engagement beyond spectatorship and subjectivity. This understanding of images owes much to phenomenology-the work of Husserl, Heidegger, and Merleau-Ponty-and 606 $aImage (Philosophy) 606 $aPhenomenology 606 $aPhilosophy, Modern 615 0$aImage (Philosophy) 615 0$aPhenomenology. 615 0$aPhilosophy, Modern. 676 $a121/.68 701 $aKhalip$b Jacques$f1975-$01102688 701 $aMitchell$b Robert$f1969-$0845952 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910781204803321 996 $aReleasing the image$93691563 997 $aUNINA