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100   $a20090629d2009      ub             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
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183   $acr
200 14$aThe anime machine$b[electronic resource] $ea media theory of animation /$fThomas Lamarre
210   $aMinneapolis $cUniversity of Minnesota Press$d2009
215   $a1 online resource (425 p.)
300   $aDescription based upon print version of record.
311   $a0-8166-5154-X 
320   $aIncludes bibliographical references and index.
327   $aContents; Preface; Introduction: The Anime Machine; Part I. Multiplanar Image; Part II. Exploded View; Part III. Girl Computerized; Conclusion: Patterns of Serialization; Notes; Bibliography; Index
330   $aDespite the longevity of animation and its significance within the history of cinema, film theorists have focused on live-action motion pictures and largely ignored hand-drawn and computer-generated movies. Thomas Lamarre contends that animation demands sustained engagement, and in The Anime Machine he lays the foundation for a new critical theory for reading Japanese animation, showing how anime fundamentally differs from other visual media.
517 3 $aMedia theory of animation
606   $aAnimated films$zJapan$xHistory and criticism
606   $aAnimation (Cinematography)$zJapan
615  0$aAnimated films$xHistory and criticism.
615  0$aAnimation (Cinematography)
676   $a791.43340952--dc22
700   $aLaMarre$b Thomas$f1959-$0954115
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910781189403321
996   $aThe anime machine$93689531
997   $aUNINA