LEADER 01684nam 2200493 450 001 9910705706603321 005 20170710142255.0 035 $a(CKB)5470000002453346 035 $a(OCoLC)993259143 035 $a(EXLCZ)995470000002453346 100 $a20170710j201703 ua 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aNeutron angular scatter effects in 3DHZETRN: quasi-elastic /$fJohn W. Wilson [and five others] 210 1$aHampton, Virginia :$cNational Aeronautics and Space Administration, Langley Research Center,$dMarch 2017. 215 $a1 online resource (v, 21 pages) $ccolor illustrations 225 1 $aNASA/TP ;$v2017-219597 300 $a"March 2017." 300 $a"Performing organization: NASA Langley Research Center"--Report documentation page. 320 $aIncludes bibliographical references (pages 18-21). 517 $aNeutron angular scatter effects in 3DHZETRN 606 $aAngular distribution$2nasat 606 $aFluence$2nasat 606 $aFormalism$2nasat 606 $aLeakage$2nasat 606 $aMonte Carlo method$2nasat 606 $aNeutrons$2nasat 615 7$aAngular distribution. 615 7$aFluence. 615 7$aFormalism. 615 7$aLeakage. 615 7$aMonte Carlo method. 615 7$aNeutrons. 700 $aWilson$b John W$g(John William),$f1940-$0113961 712 02$aLangley Research Center, 801 0$bGPO 801 1$bGPO 906 $aBOOK 912 $a9910705706603321 996 $aNeutron angular scatter effects in 3DHZETRN: quasi-elastic$93485364 997 $aUNINA LEADER 04387nam 2201057 a 450 001 9910781129403321 005 20230207231334.0 010 $a9786612697661 010 $a0-520-94569-7 010 $a1-282-69766-8 024 7 $a10.1525/9780520945692 035 $a(CKB)2550000000019472 035 $a(EBL)566757 035 $a(OCoLC)655853281 035 $a(SSID)ssj0000410850 035 $a(PQKBManifestationID)11913071 035 $a(PQKBTitleCode)TC0000410850 035 $a(PQKBWorkID)10353324 035 $a(PQKB)10267130 035 $a(StDuBDS)EDZ0000084707 035 $a(MiAaPQ)EBC566757 035 $a(MdBmJHUP)muse30704 035 $a(DE-B1597)519729 035 $a(DE-B1597)9780520945692 035 $a(Au-PeEL)EBL566757 035 $a(CaPaEBR)ebr10402695 035 $a(CaONFJC)MIL269766 035 $a(EXLCZ)992550000000019472 100 $a20090930d2010 uy 0 101 0 $aeng 135 $auruz|---auum| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAbsolute music, mechanical reproduction$b[electronic resource] /$fArved Ashby 210 $aBerkeley $cUniversity of California Press$dc2010 215 $a1 online resource (333 pages) 300 $aDescription based upon print version of record. 311 $a0-520-26479-7 311 $a0-520-26480-0 320 $aIncludes bibliographical references (p.299-308) and index. 327 $aThe recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. 330 $aRecordings are now the primary way we hear classical music, especially the more abstract styles of "absolute" instrumental music. In this original, provocative book, Arved Ashby argues that recording technology has transformed our understanding of art music. Contesting the laments of nostalgic critics, Ashby sees recordings as socially progressive and instruments of a musical vernacular, but also finds that recording and absolute music actually involve similar notions of removing sound from context. He takes stock of technology's impact on classical music, addressing the questions at the heart of the issue. This erudite yet concise study reveals how mechanical reproduction has transformed classical musical culture and the very act of listening, breaking down aesthetic and generational barriers and mixing classical music into the soundtrack of everyday life. 606 $aAbsolute music 606 $aSound recordings$xSocial aspects 606 $aMusic$xPhilosophy and aesthetics 606 $aPerformance practice (Music)$xHistory$y20th century 606 $aMusic and technology 606 $aSound$xRecording and reproducing$xDigital techniques 606 $aMP3 (Audio coding standard)$xSocial aspects 610 $aabsolute instrumental music. 610 $aaesthetics. 610 $aart music. 610 $aclassical music. 610 $acontemporary world. 610 $ahistorical. 610 $alistening to music. 610 $alive arts. 610 $amechanical reproduction. 610 $amusic criticism. 610 $amusic critics. 610 $amusic historians. 610 $amusic history. 610 $amusic recordings. 610 $amusic scholars. 610 $amusic. 610 $amusical contexts. 610 $amusical culture. 610 $amusicology. 610 $anonfiction. 610 $aperforming arts. 610 $arecording technology. 610 $arecordings and sound. 610 $asocially progressive. 610 $astudents and teachers. 615 0$aAbsolute music. 615 0$aSound recordings$xSocial aspects. 615 0$aMusic$xPhilosophy and aesthetics. 615 0$aPerformance practice (Music)$xHistory 615 0$aMusic and technology. 615 0$aSound$xRecording and reproducing$xDigital techniques. 615 0$aMP3 (Audio coding standard)$xSocial aspects. 676 $a781.49 700 $aAshby$b Arved Mark$01464047 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910781129403321 996 $aAbsolute music, mechanical reproduction$93673603 997 $aUNINA