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181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aAbsolute music, mechanical reproduction$b[electronic resource] /$fArved Ashby
210   $aBerkeley $cUniversity of California Press$dc2010
215   $a1 online resource (333 pages)
300   $aDescription based upon print version of record.
311   $a0-520-26479-7 
311   $a0-520-26480-0 
320   $aIncludes bibliographical references (p.299-308) and index.
327   $aThe recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies --  Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist.
330   $aRecordings are now the primary way we hear classical music, especially the more abstract styles of "absolute" instrumental music. In this original, provocative book, Arved Ashby argues that recording technology has transformed our understanding of art music. Contesting the laments of nostalgic critics, Ashby sees recordings as socially progressive and instruments of a musical vernacular, but also finds that recording and absolute music actually involve similar notions of removing sound from context. He takes stock of technology's impact on classical music, addressing the questions at the heart of the issue. This erudite yet concise study reveals how mechanical reproduction has transformed classical musical culture and the very act of listening, breaking down aesthetic and generational barriers and mixing classical music into the soundtrack of everyday life.
606   $aAbsolute music
606   $aSound recordings$xSocial aspects
606   $aMusic$xPhilosophy and aesthetics
606   $aPerformance practice (Music)$xHistory$y20th century
606   $aMusic and technology
606   $aSound$xRecording and reproducing$xDigital techniques
606   $aMP3 (Audio coding standard)$xSocial aspects
610   $aabsolute instrumental music.
610   $aaesthetics.
610   $aart music.
610   $aclassical music.
610   $acontemporary world.
610   $ahistorical.
610   $alistening to music.
610   $alive arts.
610   $amechanical reproduction.
610   $amusic criticism.
610   $amusic critics.
610   $amusic historians.
610   $amusic history.
610   $amusic recordings.
610   $amusic scholars.
610   $amusic.
610   $amusical contexts.
610   $amusical culture.
610   $amusicology.
610   $anonfiction.
610   $aperforming arts.
610   $arecording technology.
610   $arecordings and sound.
610   $asocially progressive.
610   $astudents and teachers.
615  0$aAbsolute music.
615  0$aSound recordings$xSocial aspects.
615  0$aMusic$xPhilosophy and aesthetics.
615  0$aPerformance practice (Music)$xHistory
615  0$aMusic and technology.
615  0$aSound$xRecording and reproducing$xDigital techniques.
615  0$aMP3 (Audio coding standard)$xSocial aspects.
676   $a781.49
700   $aAshby$b Arved Mark$01464047
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910781129403321
996   $aAbsolute music, mechanical reproduction$93673603
997   $aUNINA