LEADER 04198nam 22007215 450 001 9910781106603321 005 20200424112023.0 010 $a9786613058584 010 $a1-283-05858-8 010 $a0-226-76839-2 024 7 $a10.7208/9780226768397 035 $a(CKB)2550000000031339 035 $a(EBL)660542 035 $a(OCoLC)705538190 035 $a(SSID)ssj0000471522 035 $a(PQKBManifestationID)12195117 035 $a(PQKBTitleCode)TC0000471522 035 $a(PQKBWorkID)10429297 035 $a(PQKB)10140168 035 $a(StDuBDS)EDZ0000122479 035 $a(MiAaPQ)EBC660542 035 $a(DE-B1597)523919 035 $a(OCoLC)1058098061 035 $a(DE-B1597)9780226768397 035 $a(EXLCZ)992550000000031339 100 $a20200424h20112011 fg 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aMusic in German Philosophy $eAn Introduction /$fStefan Lorenz Sorgner, Oliver Fürbeth 210 1$aChicago : $cUniversity of Chicago Press, $d[2011] 210 4$d©2011 215 $a1 online resource (310 p.) 300 $aDescription based upon print version of record. 311 $a0-226-76838-4 311 $a0-226-76837-6 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tForeword -- $tPreface -- $tTranslator's Note -- $tIntroduction to the English-Language Edition -- $tIntroduction -- $tKant: Christel Fricke -- $tSchleiermacher: Gunter Scholtz -- $tHegel: Herbert Schnädelbach -- $tSchelling: Berbeli Wanning -- $tSchopenhauer: Günter Zöller -- $tNietzsche: Stefan Lorenz Sorgner -- $tBloch: Francesca Vidal -- $tHeidegger: Günther Pöltner -- $tGadamer: Beate Regina Suchla -- $tAdorno: Lucia Sziborsky -- $tContributors -- $tIndex 330 $aThough many well-known German philosophers have devoted considerable attention to music and its aesthetics, surprisingly few of their writings on the subject have been translated into English. Stefan Lorenz Sorgner, a philosopher, and Oliver Fürbeth, a musicologist, here fill this important gap for musical scholars and students alike with this compelling guide to the musical discourse of ten of the most important German philosophers, from Kant to Adorno. Music in German Philosophy includes contributions from a renowned group of ten scholars, including some of today's most prominent German thinkers, all of whom are specialists in the writers they treat. Each chapter consists of a short biographical sketch of the philosopher concerned, a summary of his writings on aesthetics, and finally a detailed exploration of his thoughts on music. The book is prefaced by the editors' original introduction, presenting music philosophy in Germany before and after Kant, as well as a new introduction and foreword to this English-language addition, which places contemplations on music by these German philosophers within a broader intellectual climate. 606 $aMusic and philosophy$zGermany 606 $aMusic$xPhilosophy and aesthetics 606 $aPhilosophers$zGermany 606 $aPhilosophy, German 610 $aphilosophy, germany, aesthetics, music, schleiermacher, kant, hegel, bloch, nietzsche, schopenhauer, schelling, morality, religion, spirituality, sublime, beauty, genius, taste, legitimacy, nonfiction, metaphysics, reason, romantic movement, romanticism, expression, cognition, unconscious, consciousness, human nature, judgement. 615 0$aMusic and philosophy 615 0$aMusic$xPhilosophy and aesthetics. 615 0$aPhilosophers 615 0$aPhilosophy, German. 676 $a781.1/70943 676 $a781.1/70943 701 $aBirx$b H. James$01502956 701 $aGillespie$b Susan H$01502957 701 $aSpitzer$b Michael$01502958 702 $aFürbeth$b Oliver, $4edt$4http://id.loc.gov/vocabulary/relators/edt 702 $aSorgner$b Stefan Lorenz, $4edt$4http://id.loc.gov/vocabulary/relators/edt 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910781106603321 996 $aMusic in German Philosophy$93731033 997 $aUNINA