LEADER 01785oam 2200457 450 001 9910781105803321 005 20170523091620.0 010 $a988-220-717-0 010 $a1-283-01686-9 010 $a9786613016867 010 $a988-220-578-X 035 $a(OCoLC)707092622 035 $a(MiFhGG)GVRL4QUB 035 $a(EXLCZ)992550000000031305 100 $a20110415d2010 uy 0 101 0 $aeng 135 $aurun|---uuuua 181 $ctxt 182 $cc 183 $acr 200 10$aMelancholy drift $emarking time in Chinese cinema /$fJean Ma 210 $aHong Kong $cHong Kong University Press$d2010 210 1$aHong Kong :$cHong Kong University Press,$d2010. 215 $a1 online resource (viii, 203 pages) $cillustrations 225 0 $aGale eBooks 300 $aDescription based upon print version of record. 311 $a988-8028-06-5 311 $a988-8028-05-7 320 $aIncludes bibliographical references and index. 327 $tTime without measure, sadness without cure --$tPhotography's absent times --$tThe post-classical art film --$tThe haunted movie theater --$tChance encounters and compulsive returns. 330 $aThis book looks closely at films by the most renowned directors of contemporary Chinese art cinema: Hou Hsiao-hsien, Tsai Ming-liang and Wong Kar-wai. It argues that these directors have collectively authored a distinct cinema of time across the realms of national and transnational film culture. 606 $aMotion pictures$zChina$xHistory 615 0$aMotion pictures$xHistory. 676 $a791.430951 700 $aMa$b Jean$01184943 801 0$bMiFhGG 801 1$bMiFhGG 906 $aBOOK 912 $a9910781105803321 996 $aMelancholy drift$93731025 997 $aUNINA