LEADER 04005nam 2200613Ia 450 001 9910781091003321 005 20230721005512.0 010 $a1-282-45571-0 010 $a9786612455711 010 $a1-84150-352-5 035 $a(CKB)2550000000001560 035 $a(EBL)475774 035 $a(OCoLC)741348349 035 $a(SSID)ssj0000336751 035 $a(PQKBManifestationID)11241323 035 $a(PQKBTitleCode)TC0000336751 035 $a(PQKBWorkID)10283417 035 $a(PQKB)11078390 035 $a(MiAaPQ)EBC475774 035 $a(Au-PeEL)EBL475774 035 $a(CaPaEBR)ebr10359319 035 $a(CaONFJC)MIL245571 035 $a(EXLCZ)992550000000001560 100 $a20090416d2009 my 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aDirectors and designers$b[electronic resource] /$f[edited by] Christine White 210 $aBristol $cIntellect Books ;$aChicago $cUniversity of Chicago Press$d2009 215 $a1 online resource (274 p.) 300 $aDescription based upon print version of record. 311 $a1-84150-289-8 320 $aIncludes bibliographical references (p. 257-259) and index. 327 $aFront Cover; Preliminary Pages; Contents; Part I: Setting the Scene; Chapter 1: Back and Forth to Russia: Scenography as an Academic Study from Moscow 1994-St Petersburg 2004; Part II: Performing Partners; Chapter 2: Hand in Glove: The Designer as Director as Designer; Chapter 3: Political Performing Partners: Director Lee Strasberg, Scene Designer Mordecai Gorelik, Playwright John Howard Lawson and the Group Theatre; Chapter 4: The Director, the Designer and the Ghost/Creative Team in Site-Specific Performance Practice; Chapter 5: Director Petr Le?bl and Designer William Nowa?k: To a Man 327 $aChapter 6: The Organics of the Rehearsal Room: Contemporary Directing Practice and the Director-Designer RelationshipChapter 7: Collaborative Models: Mielziner, Williams and Kazan; Chapter 8: Problematics of Theatrical Negotiations: Directing, Scenography and State Ideology; Chapter 9: Methodological Practices for Directing and Designing; Chapter 10: The Digital Platform as a Communication Tool; Part III: Metaphors, Meta-Theatre and Methodologies; Chapter 11: The Seductive Scene or Reclaiming Spectacle; Chapter 12: Metatheatre: A Discourse on Contemporary Staging 327 $aChapter 13: A Metaphorical Mise-en-Sce?ne: Elia Kazan and Max Gorelik at The Group TheatreChapter 14: Ideational Conflict and Resolution in the Design Process: Positive Outcomes from Negative Relationships; Chapter 15: Design as Action: Jean Cocteau and the Ballets Russes; Part IV: Postscript to the Director; Chapter 16: From Hamlet with Love: A Letter to the Other; Bibliography; Notes on Contributors; Index; Back Cover 330 $aDirectors & Designers offers the reader insights into the working relationships of people in these significant and creative roles. It charts an understanding of the way in which these roles have developed over the last century with specific chapters on both the personalities and on the works created by these directors and designers. White has selected chapters which look at theatre and site-specific performance, the phenomenological, contested readings and mis-readings that can occur; the power of place and space and the signifying practices of scenography. The use of simultaneous playing spac 606 $aSet designers 606 $aTheaters$xStage-setting and scenery 606 $aTheatrical producers and directors 615 0$aSet designers. 615 0$aTheaters$xStage-setting and scenery. 615 0$aTheatrical producers and directors. 676 $a792.025 701 $aWhite$b Christine A.$f1964-$01464746 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910781091003321 996 $aDirectors and designers$93841244 997 $aUNINA