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100   $a20100223d2009      uy             0
101 0 $aeng
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181   $ctxt
182   $cc
183   $acr
200 10$aColeridge, revision and romanticism $eafter the revolution, 1793-1818 $fVe-Yin Tee
210  1$aLondon $aNew York $cContinuum $d2009.
215   $a1 online resource (191 p.)
225 1 $aContinuum literary studies series
300   $aDescription based upon print version of record.
311   $a1-4411-3750-5 
311   $a1-84706-597-X 
320   $aIncludes bibliographical references (pages [164]-171) and index
327   $aList of Illustrations -- List of Abbreviations -- Acknowledgements -- Introduction -- 1. The Catholicity of 'Frost at Midnight' -- 2. The Submerged History of 'The Ancient Mariner' -- 3. Ungodly Visions -- 4. A Tale of Remorse -- Conclusion -- Bibliography -- Index
330 8 $aThe Romantic phenomenon of multiple texts has been shaped by the link between revision and authorial intent. However, what has been overlooked are the profound implications of multiple and contradictory versions of the same text for a materialist approach; using the works of Coleridge as a case study and the afterlife of the French Revolution as the main theme, this monograph lays out the methodology for a more detailed multi-layered analysis. Scrutinising four works of Coleridge (two poems, a newspaper article and a play), where every major variant is read as a separate work with its own distinct socio-historical context, Ve-Yin Tee challenges the notion that any one text is representative of its totality. By re-reading Coleridge in the light of alternative textual materials within that time, he opens a wider scope for meaning and the understanding of Coleridge's oeuvre. 
410  0$aContinuum literary studies.
606   $2Literary studies: c 1500 to c 1800
607   $aFrance$xHistory$yRevolution, 1789-1799$xLiterature and the revolution
607   $aFrance$xHistory$yRevolution, 1789-1799$xInfluence
676   $a821.7
700   $aTee$b Mark Ve-Yin$01525793
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906   $aBOOK
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996   $aColeridge, revision and romanticism$93767395
997   $aUNINA