LEADER 02369nam 2200505Ia 450 001 9910780974003321 005 20230725041557.0 010 $a0-8166-7072-2 035 $a(CKB)2520000000008002 035 $a(EBL)496599 035 $a(OCoLC)593295695 035 $a(SSID)ssj0000334468 035 $a(PQKBManifestationID)11297198 035 $a(PQKBTitleCode)TC0000334468 035 $a(PQKBWorkID)10260291 035 $a(PQKB)11396696 035 $a(MiAaPQ)EBC496599 035 $a(EXLCZ)992520000000008002 100 $a20090824d2010 uy 0 101 0 $aeng 135 $aurmn#---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aAfterimages of Gilles Deleuze's film philosophy$b[electronic resource] /$fD. N. Rodowick, editor 210 1$aMinneapolis, Minnesota :$cUniversity of Minnesota Press,$d2010. 215 $a1 online resource (xxiv, 396 pages);$cillustrations 300 $aDescription based upon print version of record. 311 $a0-8166-5007-1 311 $a0-8166-5006-3 320 $aIncludes bibliographical references and index. 327 $aContents --Acknowledgments --Introduction: What Does Time Express? --part I. Doublings --part II. Ethics --part III. Becomings --part IV. Experiments --part V. Futures --Publication History --Contributors --Index. 330 $aThe French philosopher Gilles Deleuze was one of the most innovative and revolutionary thinkers of the twentieth century. Author of more than twenty books on literature, music, and the visual arts, Deleuze published the first volume of his two-volume study of film, Cinema 1: The Movement-Image, in 1983 and the second volume, Cinema 2: The Time-Image, in 1985. Since their publication, these books have had a profound impact on the study of film and philosophy. Film, media, and cultural studies scholars still grapple today with how they can most productively incorporate Deleuze's thought.The firs 606 $aMotion pictures$xPhilosophy 615 0$aMotion pictures$xPhilosophy. 676 $a791.4301 702 $aRodowick$b David Norman 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 801 2$bUkMaJRU 906 $aBOOK 912 $a9910780974003321 996 $aAfterimages of Gilles Deleuze's film philosophy$93830912 997 $aUNINA