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200 10$aNature and empire in Ottoman Egypt $ean environmental history /$fAlan Mikhail$b[electronic resource]
210 1$aCambridge :$cCambridge University Press,$d2011.
215 $a1 online resource (xxv, 347 pages) $cdigital, PDF file(s)
225 1 $aStudies in environment and history
300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015).
311 $a1-107-64018-0
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320 $aIncludes bibliographical references and index.
327 $aIntroduction -- empire by nature -- Watering the earth -- The food chain -- The framework of empire -- In working order -- From nature to disease -- Another Nile -- Conclusion -- the imagination and reality of public works.
330 $aIn one of the first ever environmental histories of the Ottoman Empire, Alan Mikhail examines relations between the empire and its most lucrative province of Egypt. Based on both the local records of various towns and villages in rural Egypt and the imperial orders of the Ottoman state, this book charts how changes in the control of natural resources fundamentally altered the nature of Ottoman imperial sovereignty in Egypt and throughout the empire. In revealing how Egyptian peasants were able to use their knowledge and experience of local environments to force the hand of the imperial state, Nature and Empire in Ottoman Egypt tells a story of the connections of empire stretching from canals in the Egyptian countryside to the palace in Istanbul, from the forests of Anatolia to the shores of the Red Sea, and from a plague flea's bite to the fortunes of one of the most powerful states of the early modern world.
410 0$aStudies in environment and history.
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606 $aHuman beings$xEffect of environment on$zEgypt
606 $aIrrigation$xSocial aspects$zEgypt
606 $aTechnology and civilization
607 $aEgypt$xHistory$y1517-1882
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200 10$aCultural landscape report for the Battery Weed Headland, Fort Wadsworth Gateway National Recreation Area, Staten Island, New York$b[electronic resource] /$fby Jean B. Gleisner & John Auwaerter ; George W. Curry, project director
210 1$aBoston, Mass. :$cOlmsted Center for Landscape Preservation, National Park Service,$d2008.
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300 $aTitle from title screen (viewed Mar. 23, 2009).
320 $aIncludes bibliographic references (pages 227-232).
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200 10$aLet the flowers go $ea life of Mary Cholmondeley /$fby Carolyn W. de la L. Oulton
205 $a1st ed.
210 1$aAbingdon, Oxon :$cRoutledge,$d2016.
215 $a1 online resource (viii, 253 pages) $cdigital, PDF file(s)
225 1 $aGender and genre ;$vno. 1
300 $aFirst published 2009 by Pickering & Chatto (Publishers) Limited.
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320 $aIncludes bibliographical references and index.
327 $aList of Figures; Acknowledgements; Prologue; 1. 'Water Ti nted with Gold '; 2. 'One Great Hope'; 3. 'If I Found I had no Power at a ll '; 4. 'The Only Life I Know '; 5. 'Strumming on Two Pianos at Once '; 6. 'Not Mine to Keep '; 7. 'Window Wide Open, Yet Discreetly Veiled '; 8. War; 9. 'I Dont Think I was Ever Brave '; Notes; Works Cited; Figures; Index
330 $aBorn in 1859 of an aristocratic background, Mary Cholmondeley was a gifted writer. Producing a number of well-received novels, her main success came with the controversial satire Red Pottage (1899), a favourite amongst British troops in the Boer War and even enjoyed by Queen Victoria. Something of an enigma, she was often portrayed as an unambitious spinster to whom celebrity had come as a surprise. On the contrary, however, by the time of her sudden fame, she was already an established writer, having published a number of titles since 1887. But success did not come easily to Cholmondeley. The victim of chronic asthma throughout her life, she became dependent on the morphia she took to alleviate the pain, and was forced to correct the proofs for Red Pottage during a serious illness, during intervals of lucidity.
Her private life was unconventional, consisting of an early love affair, broken off due to a misunderstanding of a kind that would sit better in a work of fiction, and from which she never fully recovered. She never left home during her father's lifetime, but after the deaths of her mother and youngest sister, remained with her father and surviving sisters first in Shropshire and later in London. Giving a comprehensive critique of Cholmondeley's writings, Oulton analyzes the inspiration and influences behind some of her greatest work and provides an appealing biography of a writer whose work is of increasing interest to modern scholars.
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