LEADER 02014oam 2200577 450 001 9910713613503321 005 20220519142829.0 024 8 $a40-579 035 $a(CKB)5470000002503543 035 $a(OCoLC)1164716080 035 $a(EXLCZ)995470000002503543 100 $a20200713d2020 ua 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aWhy food security matters $ehearing before the Subcommittee on Multilateral International Development, Multilateral Institutions, and International Economic, Energy, and Environmental Policy of the Committee on Foreign Relations, United States Senate, One Hundred Fifteenth Congress, second session, March 14, 2018 210 1$aWashington :$cU.S. Government Publishing Office,$d2020. 215 $a1 online resource (iii, 53 pages) 225 1 $aS. hrg. ;$v115-823 300 $aAccess ID (govinfo): CHRG-115shrg40579. 517 $aWhy food security matters 606 $aSecurity, International 606 $aFood security$zDeveloping countries 606 $aFood supply$zDeveloping countries 606 $aAgricultural productivity$zDeveloping countries 606 $aHunger$zDeveloping countries 606 $aHumanitarian assistance, American$zDeveloping countries 606 $aNational security$zUnited States 606 $aTerrorism$xPrevention 608 $aLegislative hearings.$2lcgft 615 0$aSecurity, International. 615 0$aFood security 615 0$aFood supply 615 0$aAgricultural productivity 615 0$aHunger 615 0$aHumanitarian assistance, American 615 0$aNational security 615 0$aTerrorism$xPrevention. 801 0$bGPO 801 1$bGPO 801 2$bGPO 801 2$bOCLCF 801 2$bGPO 801 2$bOCLCQ 801 2$bGPO 906 $aBOOK 912 $a9910713613503321 996 $aWhy food security matters$93520463 997 $aUNINA LEADER 04279nam 2200865Ia 450 001 9910780831003321 005 20230207231017.0 010 $a0-8147-7225-0 010 $a0-8147-7290-0 010 $a1-4416-3661-7 024 7 $a10.18574/9780814772904 035 $a(CKB)2520000000007934 035 $a(EBL)865881 035 $a(OCoLC)779828280 035 $a(SSID)ssj0000340678 035 $a(PQKBManifestationID)11947681 035 $a(PQKBTitleCode)TC0000340678 035 $a(PQKBWorkID)10408069 035 $a(PQKB)10392900 035 $a(StDuBDS)EDZ0001326152 035 $a(MiAaPQ)EBC865881 035 $a(OCoLC)558991451 035 $a(MdBmJHUP)muse10433 035 $a(DE-B1597)547491 035 $a(DE-B1597)9780814772904 035 $a(Au-PeEL)EBL865881 035 $a(CaPaEBR)ebr10356703 035 $a(EXLCZ)992520000000007934 100 $a20090722d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMusical imagiNation$b[electronic resource] $eU.S.-Colombian identity and the Latin music boom /$fMari?a Elena Cepeda 210 $aNew York $cNew York University Press$d2010 215 $a1 online resource (268 p.) 300 $aDescription based upon print version of record. 311 $a0-8147-1692-X 311 $a0-8147-1691-1 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tIntroduction -- $t1 La crisis colombiana -- $t2 A Miami Sound Machine -- $t3 Shakira as the Idealized Transnational Citizen -- $t4 Florecita rockera -- $t5 The Colombian Vallenato acá y allá -- $t6 The Colombian Transcultural Aesthetic Recipe -- $tAfterword -- $tNotes -- $tReferences -- $tDiscography -- $tIndex -- $tAbout the Author 330 $aLong associated with the pejorative clichés of the drug-trafficking trade and political violence, contemporary Colombia has been unfairly stigmatized. In this pioneering study of the Miami music industry and Miami?s growing Colombian community, María Elena Cepeda boldly asserts that popular music provides an alternative common space for imagining and enacting Colombian identity. Using an interdisciplinary analysis of popular media, music, and music video, Cepeda teases out issues of gender, sexuality, race, ethnicity, and transnational identity in the Latino/a music industry and among its most renowned rock en español, pop, and vallenato stars.Musical ImagiNation provides an overview of the ongoing Colombian political and economic crisis and the dynamics of Colombian immigration to metropolitan Miami. More notably, placed in this context, the book discusses the creative work and media personas of talented Colombian artists Shakira, Andrea Echeverri of Aterciopelados, and Carlos Vives. In her examination of the transnational figures and music that illuminate the recent shifts in the meanings attached to Colombian identity both in the United States and Latin America, Cepeda argues that music is a powerful arbitrator of memory and transnational identity. 606 $aMusic$xSocial aspects$zUnited States$xHistory$y20th century 606 $aPopular music$zFlorida$zMiami$xHistory and criticism 606 $aPopular music$zColombia$xHistory and criticism 606 $aMusic trade$zFlorida$zMiami 606 $aIdentity (Psychology) and mass media 610 $aColombian. 610 $aImagiNation. 610 $aMiami. 610 $aMusical. 610 $acrisis. 610 $adynamics. 610 $aeconomic. 610 $aimmigration. 610 $ametropolitan. 610 $aongoing. 610 $aoverview. 610 $apolitical. 610 $aprovides. 615 0$aMusic$xSocial aspects$xHistory 615 0$aPopular music$xHistory and criticism. 615 0$aPopular music$xHistory and criticism. 615 0$aMusic trade 615 0$aIdentity (Psychology) and mass media. 676 $a781.64089/68861075938 700 $aCepeda$b Mari?a Elena$01089728 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910780831003321 996 $aMusical imagiNation$93694849 997 $aUNINA