LEADER 03760nam 2200601Ia 450 001 9910780815303321 005 20230721025209.0 010 $a1-282-45567-2 010 $a9786612455674 010 $a1-84150-345-2 035 $a(CKB)2550000000000668 035 $a(EBL)475766 035 $a(OCoLC)646886121 035 $a(SSID)ssj0000418357 035 $a(PQKBManifestationID)11281383 035 $a(PQKBTitleCode)TC0000418357 035 $a(PQKBWorkID)10388508 035 $a(PQKB)11779808 035 $a(MiAaPQ)EBC475766 035 $a(Au-PeEL)EBL475766 035 $a(CaPaEBR)ebr10354166 035 $a(CaONFJC)MIL245567 035 $a(EXLCZ)992550000000000668 100 $a20090416d2009 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aFutures of Chinese cinema$b[electronic resource] $etechnologies and temporalities in Chinese screen cultures /$fedited by Olivia Khoo and Sean Metzger 210 $aBristol, UK ;$aChicago $cIntellect$d2009 215 $a1 online resource (298 p.) 300 $aDescription based upon print version of record. 311 $a1-84150-274-X 320 $aIncludes bibliographical references and index. 327 $aFront Cover; Preliminary Pages; Contents; Acknowledgements; Introduction; Part I: Historiography; Chapter 1: Celebratory Screens: Chinese Cinema in the New Millennium; Chapter 2: Island of No Return: Cinematic Narration as Retrospection in Wang Tong and New Taiwan Cinema; Chapter 3: Socialist Geographies, Internationalist Temporalities and Travelling Film Technologies: Sino-Soviet Film Exchange in the 1950's and 1960's; Chapter 4: Hong Kong Ghost in the Japanese Shell? Cross-racial Performance and Transnational Chinese Cinema 327 $aChapter 5: Jia Zhangke and the Temporality of Postsocialist Chinese Cinema: In the Now (and then)Part II: Capital - Economic and Industrial Contexts; Chapter 6: From BitTorrent Piracy to Creative Industries: Hong Kong Cinema Emptied Out; Chapter 7: Genre Film, Media Corporations and the Commercialization of the Chinese Film Industry: The Case of 'New Year Comedies'; Chapter 8: Demand for Cultural Representation: Emerging Independent Film and Video on Lesbian Desires; Part III: Epistemologies; Chapter 9: The Queer Space of China: Expressive Desire in Stanley Kwan's Lan Yu 327 $aChapter 10: Saving Face, or the Future Perfect of Queer Chinese/American Cinema?Chapter 11: Remaking the Past, Interrupting the Present: The Spaces of Technology and Futurity in Contemporary Chinese Blockbusters; Chapter 12: Multiple-screen Realities; Contributors; Index; Back Cover 330 $aWith the burgeoning interest in Chinese film, this interdisciplinary collection investigates how new technologies, changing production constraints and shifting viewing practices have shaped perceptions of Chinese screen cultures. Futures of Chinese Cinema contains essays by international scholars considering new directions in Chinese cinema. After the devastation of the economic crisis, the uncertainty of the Hong Kong handover and the events at Tiananmen Square in 1989, the late twentieth century and beyond has seen the emergence of a number of fresh new works from the region's film-makers. 606 $aMotion picture locations$zChina 606 $aMotion pictures$zChina 615 0$aMotion picture locations 615 0$aMotion pictures 676 $a791.430951 701 $aKhoo$b Olivia$01519646 701 $aMetzger$b Sean$f1973-$01484251 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910780815303321 996 $aFutures of Chinese cinema$93825666 997 $aUNINA