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010   $a9786612443305
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035   $a(OCoLC)503449076
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035   $a(PQKBTitleCode)TC0000337668
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100   $a20180706d2010      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aFilm noir $ehard-boiled modernity and the cultures of globalization /$fJennifer Fay and Justus Nieland
210  1$aLondon ;$aNew York :$cRoutledge,$d2010.
215   $a1 online resource (303 p.)
225 1 $aRoutledge film guidebooks
300   $aDescription based upon print version of record.
311   $a0-415-45813-7 
311   $a0-415-45812-9 
320   $aIncludes bibliographical references and index.
327   $aBOOK COVER; TITLE; COPYRIGHT; CONTENTS; LIST OF FIGURES; PREFACE: Down these mean streets, again . . .; ACKNOWLEDGMENTS; 1 FILM NOIR AND THE CULTURE OF INTERNATIONALISM; 2 CRITICAL DEBATES: Genre, gender, race; 3 FILM NOIR STYLE AND THE ARTS OF DYING; 4 FRAGMENTS OF ONE INTERNATIONAL NOIR HISTORY; APPENDIX: Suggestions for further reading, watching, discussing; INDEX
330   $aThe term ""film noir"" still conjures images of a uniquely American malaise: hard-boiled detectives, fatal women, and the shadowy hells of urban life. But from its beginnings, film noir has been an international phenomenon, and its stylistic icons have migrated across the complex geo-political terrain of world cinema. This book traces film noir's emergent connection to European cinema, its movement within a cosmopolitan culture of literary and cinematic translation, and its postwar consolidation in the US, Europe, Asia, the Middle East, and Latin America. The authors examine h
410  0$aRoutledge film guidebooks.
606   $aFilm noir$xHistory and criticism
606   $aCrime films$xHistory and criticism
615  0$aFilm noir$xHistory and criticism.
615  0$aCrime films$xHistory and criticism.
676   $a791.43655
700   $aFay$b Jennifer.$0966716
701   $aNieland$b Justus$01472540
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910780803403321
996   $aFilm noir$93701215
997   $aUNINA