LEADER 06402nam 22007813u 450 001 9910780708803321 005 20230422050522.0 010 $a1-282-90380-2 010 $a9786612903809 010 $a0-8223-8094-3 024 7 $a10.1515/9780822380948 035 $a(CKB)2500000000002742 035 $a(EBL)3007802 035 $a(SSID)ssj0000393188 035 $a(PQKBManifestationID)11260214 035 $a(PQKBTitleCode)TC0000393188 035 $a(PQKBWorkID)10364199 035 $a(PQKB)10530249 035 $a(MiAaPQ)EBC3007802 035 $a(DE-B1597)551859 035 $a(DE-B1597)9780822380948 035 $a(OCoLC)1226679191 035 $a(EXLCZ)992500000000002742 100 $a20151005d2000|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFruit Machine$b[electronic resource] $eTwenty Years of Writings on Queer Cinema 210 $aDurham $cDuke University Press$d2000 215 $a1 online resource (327 p.) 300 $aDescription based upon print version of record. 311 $a0-8223-2433-4 327 $a""Contents""; ""Foreword""; ""Acknowledgments""; ""Introduction""; ""Films by Gays for Gays: A Very Natural Thing, Word Is Out, and The Naked Civil Servant (1977)""; ""Gays, Straights, Film, and the Left: A Dialogue (with Chuck Kleinhans) (1977)""; ""Rainer Werner Fassbinder (1976-77)""; ""A Fag-Spotter's Guide to Eisenstein (1977)""; ""Derek Jarman's Sebastiane (1978)""; ""Medical Thrills: Born a Man . . . Let Me Die a Woman (1978-79)""; ""Murnau: The Films Behind the Man (1979)""; ""An Unromantic Fiction: I'm Not from Here, by Harvey Marks (1979)"" 327 $a""The Gay Nineties, the Gay Seventies: Samperi's Ernesto and von Praunheim's Army of Lovers or Revolt of the Perverts (1979)""""Montgomery Clift Biographies: Stars and Sex (1979-8)""; ""Gay Cinema, Slick vs. Real: Chant d'amour, Army of Lovers, We Were One Man (1980)""; ""Nighthawks, by Ron Peck and Paul Hallam (1980)""; ""A Saturday Night Surprise: Burin des Roziers's Blue Jeans (1980)""; ""Caligula (1981)""; ""Taxis and Toilets: Ripploh and His Brothers (1981)""; ""Bright Lights in the Night: Pasolini, Schroeter, and Others (1981)""; ""Patty Duke and Tasteful Dykes (1982)"" 327 $a""Two Strong Entries, One Dramatic Exit: Luc ou la part des choses, Another Way, and Querelle (1982)""""Hollywood's Change of Heart? (Porky's and The Road Warrior) (1982)""; ""Dreams, Cruises, and Cuddles in Tel Aviv: Amos Gutmann's Nagua (1983)""; ""Hauling an Old Corpse Out of Hitchcock's Trunk: Rope (1983)""; ""Sex beyond Neon: Third World Gay Films? (1985)""; ""Fassbinder Fiction: A New Biography (1986)""; ""Ashes and Diamonds in the Year of the Queer: Decline of the American Empire, Anne Trister, A Virus Knows No Morals, and Man of Ashes (1986)"" 327 $a""The Kiss of the Maricon, or Gay Imagery in Latin American Cinema (1986-87)""""Laws of Desire: Maurice, Law of Desire, and Vera (1987)""; ""Two Great Gay Filmmakers: Hello and Good-bye (1988)""; ""Beauty and the Beast, Take Two (1988)""; ""Whipping Up a Cinema (1989)""; ""Erotic Self-Images in the Gay Male AIDS Melodrama (1988, 1992)""; ""In Memoriam: Vito Russo, 1946-1990 (1991)""; ""We're Talking, Vulva, or, My Body Is Not a Metaphor (1995, 1999)""; ""Walking on Tippy Toes: Lesbian and Gay Liberation Documentary of the Post-Stonewall Period 1969-1984 (1995-97)"" 327 $a""Archeology and Censorship (1997)""""Selected Additional Works""; ""Index"" 330 $aFor more than twenty years, film critic, teacher, activist, and fan Thomas Waugh has been writing about queer movies. As a member of the Jump Cut collective and contributor to the Toronto-based gay newspaper the Body Politic, he emerged in the late 1970s as a pioneer in gay film theory and criticism, and over the next two decades solidified his reputation as one of the most important and influential gay film critics. The Fruit Machine?a collection of Waugh?s reviews and articles originally published in gay community tabloids, academic journals, and anthologies?charts the emergence and maturation of Waugh?s critical sensibilities while lending an important historical perspective to the growth of film theory and criticism as well as queer moviemaking.In this wide-ranging anthology Waugh touches on some of the great films of the gay canon, from Taxi zum Klo to Kiss of the Spider Woman. He also discusses obscure guilty pleasures like Born a Man . . . Let Me Die a Woman, unexpectedly rich movies like Porky?s and Caligula, filmmakers such as Fassbinder and Eisenstein, and film personalities from Montgomery Clift to Patty Duke. Emerging from the gay liberation movement of the 1970s, Waugh traverses crises from censorship to AIDS, tackling mainstream potboilers along with art movies, documentaries, and avant-garde erotic videos. In these personal perspectives on the evolving cinematic landscape, his words oscillate from anger and passion to wry wit and irony. With fifty-nine rare film stills and personal photographs and an introduction by celebrated gay filmmaker John Greyson, this volume demonstrates that the movie camera has been the fruit machine par excellence. 606 $aGay motion picture producers and directors 606 $aHomoseksualiteit. -- gtt 606 $aHomosexuality and motion pictures 606 $aHomosexuality in motion pictures 606 $aHomosexuality in motion pictures 606 $aHomosexuality and motion pictures 606 $aGay motion picture producers and directors 606 $aFilm$2HILCC 606 $aMusic, Dance, Drama & Film$2HILCC 615 4$aGay motion picture producers and directors. 615 4$aHomoseksualiteit. -- gtt. 615 4$aHomosexuality and motion pictures. 615 4$aHomosexuality in motion pictures. 615 0$aHomosexuality in motion pictures 615 0$aHomosexuality and motion pictures 615 0$aGay motion picture producers and directors 615 7$aFilm 615 7$aMusic, Dance, Drama & Film 676 $a791.43/653 700 $aWaugh$b Thomas$f1948-$0944476 701 $aGreyson$b John$01583481 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910780708803321 996 $aFruit Machine$93866622 997 $aUNINA