LEADER 03640nam 2200769 450 001 9910780689603321 005 20230912130551.0 010 $a1-282-02562-7 010 $a9786612025624 010 $a1-4426-7282-X 024 7 $a10.3138/9781442672826 035 $a(CKB)2420000000003928 035 $a(EBL)3250407 035 $a(SSID)ssj0000291178 035 $a(PQKBManifestationID)11222165 035 $a(PQKBTitleCode)TC0000291178 035 $a(PQKBWorkID)10248918 035 $a(PQKB)11290078 035 $a(CaPaEBR)417776 035 $a(CaBNvSL)thg00600486 035 $a(DE-B1597)464309 035 $a(OCoLC)944178375 035 $a(DE-B1597)9781442672826 035 $a(Au-PeEL)EBL4671333 035 $a(CaPaEBR)ebr11257049 035 $a(OCoLC)244766798 035 $a(MdBmJHUP)musev2_104563 035 $a(VaAlCD)20.500.12592/wb4dnx 035 $a(schport)gibson_crkn/2009-12-01/6/417776 035 $a(MiAaPQ)EBC4671333 035 $a(MiAaPQ)EBC3250407 035 $a(EXLCZ)992420000000003928 100 $a20160926h19981998 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aChamber music $eElizabethan sonnet-sequences and the pleasure of criticism /$fRoger Kuin 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d1998. 210 4$dİ1998 215 $a1 online resource (302 p.) 225 0 $aHeritage 300 $aIncludes index. 311 $a1-4426-1498-6 311 $a0-8020-4188-4 320 $aIncludes bibliographical references and index. 327 $g1.$tPrelude -- a new intellectual art --$g2.$tThree easy pieces -- sonnet analysis --$g3.$tPolyphony -- the plural of the text --$g4.$tTempo/Sequenza -- textual time in Astrophil and Stella --$g5.$tTwo-part invention -- love/ruins/SHAKE-SPEARES SONNETS --$g6.$tTheme with variations -- skin/deep: beauty --$g7.$tFrom the New World -- Will Archer's diary --$g8.$tEin Heldenleben -- courtier, text, and death --$g9.$tDeath and the maiden -- architecture --$g10.$tDivertimento -- the text as desiring-machine --$g11.$tFour-part fugue -- indeterminacy and undecideability --$g12.$tEncore -- irregardless --$gApp.$tDiscourse and its Choices. 330 $aArranged somewhat like a sonnet-sequence, in semi-sequential units, Chamber Music can be seen as following two streams. In the first instance, it presents a fresh and original discussion of the major Elizabethan sonnet-sequences: Sidney's Astrophil and Stella, Spenser's Amoretti and Epithalamion, and Shakespeare's Sonnets and Lover's Complaint. The sonnet-sequences are read in tandem with works of modern criticism, including those of Roland Barthes, Michel Riffaterre, Paul Ricoeur, Jacques Derrida, and Umberto Eco. The book is also an experiment in modern (as opposed to postmodern) criticism in which the content of the argument modifies the presentation. 606 $aEnglish poetry$yEarly modern, 1500-1700$xHistory and criticism 606 $aSonnets, English$xHistory and criticism 607 $aEnglisch$2swd 608 $aLivres numeriques. 608 $aCriticism, interpretation, etc. 608 $ae-books. 608 $aElectronic books. 615 0$aEnglish poetry$xHistory and criticism. 615 0$aSonnets, English$xHistory and criticism. 676 $a821.04209 700 $aKuin$b R. J. P.$01503078 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910780689603321 996 $aChamber music$93731246 997 $aUNINA