LEADER 04164nam 2200769 450 001 9910780663203321 005 20230912172540.0 010 $a1-282-04539-3 010 $a9786612045394 010 $a1-4426-7286-2 024 7 $a10.3138/9781442672864 035 $a(CKB)2430000000001625 035 $a(EBL)3255328 035 $a(SSID)ssj0000291279 035 $a(PQKBManifestationID)11230508 035 $a(PQKBTitleCode)TC0000291279 035 $a(PQKBWorkID)10249050 035 $a(PQKB)10214164 035 $a(CaBNvSL)slc00215963 035 $a(DE-B1597)464312 035 $a(OCoLC)944178346 035 $a(DE-B1597)9781442672864 035 $a(Au-PeEL)EBL4671337 035 $a(CaPaEBR)ebr11257053 035 $a(CaONFJC)MIL204539 035 $a(OCoLC)958562565 035 $a(VaAlCD)20.500.12592/0h01qs 035 $a(schport)gibson_crkn/2009-12-01/7/420779 035 $a(MiAaPQ)EBC4671337 035 $a(OCoLC)1381743209 035 $a(MdBmJHUP)musev2_104566 035 $a(MiAaPQ)EBC3255328 035 $a(EXLCZ)992430000000001625 100 $a20160926h19911991 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aChaucer and his French contemporaries $enatural music in the fourteenth century /$fJames I. Wimsatt 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d1991. 210 4$dİ1991 215 $a1 online resource (409 p.) 300 $aDescription based upon print version of record. 311 $a0-8020-7189-9 320 $aIncludes bibliographical references and index. 327 $aNatural music in Middle French verse and Chaucer -- Poetry in the English court before Poitiers (1356) : Jean de le Mote -- Chaucer and Machaut : man, poet, persona -- Representations of the poet, the persona, and the audience in Middle French manuscripts -- Machaut's oeuvre and Chaucer's early poems -- Machaut and his tradition : Troilus, the Legend, and the Tales -- Chaucer and Jean Froissart -- Chaucer and Oton de Granson -- Chaucer and Eustache Deschamps -- Natural music in 1400. 330 $aIn this provocative and highly acclaimed study, a distinguished Chaucerian provides the first comprehensive analysis of the contemporary French influence on Chaucer. Bringing to the subject his expertise in both Chaucer and fourteenth-century French literature, James I. Wimsatt reveals the range and complexity of Chaucer's literary and personal relations with the important but neglected French poets of the fourteenth century. He demonstrates how the body of Middle French verse can open new avenues into the fundamental nature of Chaucer's poetry.Chaucer and His French Contemporaries synthesizes Winsatt's work on Chaucer's French connections over the past twenty-five years, particularly his studies and editions of Machaut. At the same time, much is new: an analysis of the meaning of 'natural music' in the light of Deschamps' and Machaut's critical observations, a presentation of Jean de le Mote as a seminal influence in young Chaucer's poetic environment, a demonstration of the parallels and divergences of Froissart's and Chaucer's literary careers, an exposition of Granson's broad borrowings from his English friend, and a fresh look at the puys, the pourgeois poetic societies that flourished in northwest France and London. 606 $aFrench poetry$yTo 1500$xHistory and criticism 606 $aMusic and literature$xHistory$yTo 1500 606 $aEnglish poetry$xFrench influences 608 $aHistory. 608 $aCriticism, interpretation, etc. 608 $aElectronic books. 615 0$aFrench poetry$xHistory and criticism. 615 0$aMusic and literature$xHistory 615 0$aEnglish poetry$xFrench influences. 676 $a821.1 700 $aWimsatt$b James I.$0201710 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910780663203321 996 $aChaucer and his French contemporaries$93859490 997 $aUNINA 999 $p$37.50$u11/01/2019$5Eng