LEADER 03978nam 2200901 450 001 9910780566603321 005 20230912140254.0 010 $a1-282-02860-X 010 $a9786612028601 010 $a1-4426-7854-2 024 7 $a10.3138/9781442678545 035 $a(CKB)2420000000004282 035 $a(OCoLC)666914951 035 $a(CaPaEBR)ebrary10200831 035 $a(SSID)ssj0000306198 035 $a(PQKBManifestationID)11226338 035 $a(PQKBTitleCode)TC0000306198 035 $a(PQKBWorkID)10294911 035 $a(PQKB)11388417 035 $a(CaPaEBR)417853 035 $a(CaBNvSL)thg00600555 035 $a(DE-B1597)464759 035 $a(OCoLC)944177681 035 $a(DE-B1597)9781442678545 035 $a(Au-PeEL)EBL4671835 035 $a(CaPaEBR)ebr11257526 035 $a(CaONFJC)MIL202860 035 $a(VaAlCD)20.500.12592/nwjvtp 035 $a(schport)gibson_crkn/2009-12-01/6/417853 035 $a(MiAaPQ)EBC4671835 035 $a(OCoLC)1388375934 035 $a(MdBmJHUP)musev2_105096 035 $a(MiAaPQ)EBC3251276 035 $a(EXLCZ)992420000000004282 100 $a20160923h19981998 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPlaying with desire $eChristopher Marlowe and the art of tantalization /$fFred B. Tromly 210 1$aToronto, [Canada] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d1998. 210 4$dİ1998 215 $a1 online resource (251 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8020-4355-0 320 $aIncludes bibliographical references and index. 327 $aMarlowe and the torment of Tantalus -- Translation as template: all of Ovid's Elegies -- Playing with the powerless: Dido Queen of Carthage -- The conquerer's and the playwright's games: Tamburlaine the Great, part one and part two -- Playing with avarice: The Jew of Malta -- The play of history and desire: Edward II -- Damnation as tantalization: Doctor Faustus -- Frustrating the story of desire: Hero and Leander. 330 1 $a"Playing with Desire takes a new approach to Christopher Marlowe's body of writing, replacing the view of Marlovian desire as heroic aspiration with a far less uplifting model. Fred B. Tromly shows that in Marlowe's writing desire is a response to calculated, teasing enticement, ultimately a sign not of power but of impotence. The author identifies this desire with the sadistic irony of the Tantalus myth rather than with the sublime tragedy exemplified by the familiar figure of Icarus. Thus, Marlowe's characteristic mis en scene is moved from the heavens to the netherworld. Tromly also demonstrates that the manipulations of desire among Marlowe's characters find close parallels in the strategies by which his works tantalize and frustrate their audiences."--Jacket 606 $aTeasing in literature 606 $aAggressiveness in literature 606 $aControl (Psychology) in literature 606 $aDrama$xPsychological aspects 606 $aDesire in literature 606 $aSadism in literature 606 $aPlay in literature 606 $aSex in literature 608 $aLivres numeriques. 608 $aCriticism, interpretation, etc. 608 $ae-books. 608 $aElectronic books. 615 0$aTeasing in literature. 615 0$aAggressiveness in literature. 615 0$aControl (Psychology) in literature. 615 0$aDrama$xPsychological aspects. 615 0$aDesire in literature. 615 0$aSadism in literature. 615 0$aPlay in literature. 615 0$aSex in literature. 676 $a822/.3 700 $aTromly$b Frederic B.$f1943-$01511277 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910780566603321 996 $aPlaying with desire$93787630 997 $aUNINA LEADER 05338nam 2200637 a 450 001 9910807743803321 005 20240516104833.0 010 $a1-283-42422-3 010 $a9786613424228 010 $a90-272-7496-7 035 $a(CKB)2550000000079733 035 $a(EBL)837579 035 $a(OCoLC)773565125 035 $a(SSID)ssj0000591433 035 $a(PQKBManifestationID)12217747 035 $a(PQKBTitleCode)TC0000591433 035 $a(PQKBWorkID)10696426 035 $a(PQKB)10556859 035 $a(MiAaPQ)EBC837579 035 $a(Au-PeEL)EBL837579 035 $a(CaPaEBR)ebr10526897 035 $a(CaONFJC)MIL342422 035 $a(EXLCZ)992550000000079733 100 $a20111123d2012 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aKey features and parameters in Arabic grammar /$fAbdelkader Fassi Fehri 205 $a1st ed. 210 $aAmsterdam ;$aPhiladelphia $cJ. Benjamins Pub. Co.$d2012 215 $a1 online resource (378 p.) 225 1 $aLinguistik aktuell/linguistics today ;$vv. 182 300 $aDescription based upon print version of record. 311 $a90-272-5565-2 320 $aIncludes bibliographical references and index. 327 $aKey Features and Parameters in Arabic Grammar; Editorial page; Title page; Copyright page; Dedication page; Table of contents; Foreword; Provenance of Chapters; Part I Temporality, aspect, voice, and event structure; Tense/Aspect interaction and variation; 1. Past, Perfect, Perfective; 1.1 The Past/Perfect ambiguity; 1.2 Temporal and modal qad; 1.3 One or two projections of T; 1.4 Perfective; 2. Present, Imperfect, Imperfective; 3. Imperfect and SOT; 4. Perfectivity; 4.1 ST as Perfective; 4.2 PT as Imperfective?; 4.3 From Tense to Aspect; 4.4 The Tense/Aspect language typology revisited 327 $a5. Conclusion Transitivity, causativity, and verbal plurality; 1. Issues; 1.1 Problem 1: Semitic morpho-syntax; 1.2 Problem 2: Transitivity theory; 2. Number Theory; 2.1 Ingredients of Num T; 2.2 Verbal plurality and distributed Num; 2.3 Distributed plurality; 2.4 Causative complexity, verbalization, and distributivity; 2.5 Two sources of transitivity; 2.6 Parallel plural morphology; 2.7 Summary; 3. Cross-linguistic evidence; 3.1 Causatives, transitives, and event quantification; 3.1.1 Causativization and transitivization; 3.1.2 Multiple behaviour; 3.1.3 Event quantification 327 $a3.2 Moravcsik's resistant cases 4. Conceptual motivations and competing analyses; 4.1 Little v: Verbalizer or transitivizer?; 4.2 Aspect; 4.3 Voice; 4.3.1 Anti-transitive reflexives; 4.3.2 Reflexive causatives; 4.3.3 Agentive and expositive causatives; 4.3.4 Requestive causatives; 4.3.5 Ergative Num and intensive forms; 4.4 Further empirical motivations; 4.4.1 Ergative and unergative Num in event plurality and transitivity; 4.4.2 Adicity, (in)transitive alternations, and multiple uses; 5. Num theory and Num heights; 5.1 Sg and Pl Merge; 5.2 Language variation; 6. Summary and conclusion 327 $aSynthetic/analytic asymmetries in voice and temporal patterns 1. Analysis, voice, and temporality; 1.1 The problem; 1.2 Nominal auxiliaries; 1.3 S/O Agr split and auxiliary selection; 1.4 Temp auxiliaries; 1.5 Voice; 1.5.1 Arabic and anaphoric Agr; 1.5.2 Latin and split Agr; 1.5.3 Modern Greek; 1.5.4 Albanian; 1.5.5 Moroccan Arabic; 2. Formal complexity and categorization; 2.1 Further analytic and synthetic questions; 2.1.1 Pass and additional complexity; 2.1.2 Two finite Agrs; 2.1.3 Ancient Greek as fully synthetic; 2.2 Reanalysis as the source of analytic pass or perfect 327 $a2.3 A splitting analysis (of Temp and Agr categories)3. Peculiarities and structural heights; 3.1 Imperfective passive; 3.2 Verbal and adjectival voices; 3.3 Multiple functions across heights; 4. Summary and conclusion; Arabic Perfect and temporal adverbs; 1. Salient properties of the Arabic TR system; 1.1 Polyfunctionality of T/Asp forms; 1.2 The PresPerf split: Synthesis and analysis; 1.3 The Past split: Simple Past Pfv and complex Past Impfv; 2. The Perfect/Past ambiguity; 2.1 Aspects and Tenses; 2.2 Positional "deictic" adverbs; 2.3 Perf and modal qad 327 $a2.4 Adverbs and simple vs. complex tenses 330 $aIn light of recent generative minimalism, and comparative parametric theory of language variation, the book investigates key features and parameters of Arabic grammar. Part I addresses morpho-syntactic and semantic interfaces in temporality, aspectuality, and actionality, including the Past/Perfect/Perfective ambiguity akin to the very synthetic temporal morphology, collocating time adverb construal, and interpretability of verbal Number as pluractional. Part II is dedicated to nominal architecture, the behaviour of bare nouns as true indefinites, the count/mass dichotomy (re-examined in light 410 0$aLinguistik aktuell ;$vBd. 182. 606 $aArabic language$xGrammar 615 0$aArabic language$xGrammar. 676 $a492.7/5 700 $aFassi Fehri$b Abdelkader$0183614 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910807743803321 996 $aKey features and parameters in Arabic grammar$94120026 997 $aUNINA