LEADER 03846nam 22006374a 450 001 9910780478003321 005 20230913225135.0 010 $a1-299-05212-6 010 $a1-60344-666-4 010 $a1-58544-979-2 035 $a(CKB)111087028235522 035 $a(SSID)ssj0000105306 035 $a(PQKBManifestationID)11130486 035 $a(PQKBTitleCode)TC0000105306 035 $a(PQKBWorkID)10108859 035 $a(PQKB)11308790 035 $a(MiAaPQ)EBC3037721 035 $a(OCoLC)53976822 035 $a(MdBmJHUP)muse5106 035 $a(Au-PeEL)EBL3037721 035 $a(CaPaEBR)ebr10046108 035 $a(CaONFJC)MIL436462 035 $a(OCoLC)870334220 035 $a(EXLCZ)99111087028235522 100 $a20020802h20032003 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe architectural project /$fAlfonso Corona-Martinez ; edited by Malcolm Quantrill ; translated by Alfonso Corona-Martinez and Malcolm Quantrill 205 $a1st ed. 210 1$aCollege Station :$cTexas A&M University Press,$d2003. 210 4$aŠ2003 215 $a1 online resource (xvi, 213 pages) $cillustrations 225 1 $aStudies in architecture and culture ;$vno. 6 300 $aBibliographic Level Mode of Issuance: Monograph 311 0 $a1-58544-186-4 320 $aIncludes bibliographical references (p. [187]-198) and index. 327 $aDesign processes -- Description generation -- Design education -- The two faces of functionalism -- Typology -- Development of the project: the elements of architecture -- Elements of composition -- Changes in design method: the future in the present. 330 $aThe Architectural Project considers the practice of architectural design as it has developed during the last two centuries. In this challenging interpretation of design education and its effect on design process and products, Argentinean scholar Alfonso Corona-Martinez emphasizes the distinction between an architectural project, created in the architect's mind and materialized as a set of drawings on paper, and the realized three-dimensional building. Corona-Martinez demonstrates how representation plays a substantial role in determining both the notion and the character of architecture, and he traces this relationship from the Renaissance into the Modern era, giving detailed considerations of Functionalism and Typology. His argument clarifies the continuity in the practice of design method through the nineteenth and twentieth centuries, a continuity that has been obscured by the emphasis on changing goals instead of design procedures. Architectural schooling, he suggests, has had a decisive role in the, transmission of these practices. He concludes that the methods formalized in Beaux Arts teaching are not only still with us but are in good part responsible for the stylistic instability that haunts Modern architecture. The Architectural Project presents subtle considerations that must be mastered if an architect is to properly use typology, the means of representation, and the elements of composition in architecture. Students, teachers, and practitioners alike will benefit from the author's insights. 410 0$aStudies in architecture and culture ;$v6. 606 $aArchitectural design 606 $aArchitectural design$xStudy and teaching 615 0$aArchitectural design. 615 0$aArchitectural design$xStudy and teaching. 676 $a720 700 $aCorona Marti?nez$b Alfonso$01499042 701 $aQuantrill$b Malcolm$f1931-2009.$01462798 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910780478003321 996 $aThe architectural project$93724852 997 $aUNINA