LEADER 04594nam 2200817 450 001 9910780421503321 005 20230912153706.0 010 $a1-282-00853-6 010 $a9786612008535 010 $a1-4426-7102-5 024 7 $a10.3138/9781442671027 035 $a(CKB)2420000000003827 035 $a(OCoLC)244767332 035 $a(CaPaEBR)ebrary10218653 035 $a(SSID)ssj0000289159 035 $a(PQKBManifestationID)11222555 035 $a(PQKBTitleCode)TC0000289159 035 $a(PQKBWorkID)10385142 035 $a(PQKB)10393052 035 $a(CaBNvSL)thg00600172 035 $a(DE-B1597)464189 035 $a(OCoLC)1013949071 035 $a(OCoLC)944178467 035 $a(DE-B1597)9781442671027 035 $a(Au-PeEL)EBL4671201 035 $a(CaPaEBR)ebr11256921 035 $a(CaONFJC)MIL200853 035 $a(OCoLC)958571804 035 $a(VaAlCD)20.500.12592/mwvgd0 035 $a(schport)gibson_crkn/2009-12-01/6/418326 035 $a(MiAaPQ)EBC4671201 035 $a(OCoLC)1381441915 035 $a(MdBmJHUP)musev2_104434 035 $a(MiAaPQ)EBC3254749 035 $a(EXLCZ)992420000000003827 100 $a20160922h20022002 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aArt and the German bourgeoisie $eAlfred Lichtwark and modern painting in Hamburg, 1886-1914 /$fCarolyn Kay 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2002. 210 4$dİ2002 215 $a1 online resource (197 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8020-0922-0 320 $aIncludes bibliographical references and index. 327 $a""Contents""; ""Acknowledgments""; ""Introduction""; ""1 Alfred Lichtwark and Modern German Art""; ""2 The Petersen Portrait: The Failure of Modern Art as Monument in Hamburg""; ""3 The Scandal in 1896 over the 'New Tendency'""; ""4 Lichtwark and the Society of Hamburg's Patrons of Fine Art (the Gesellschaft Hamburgischer Kunstfreunde)""; ""Conclusion""; ""Notes""; ""Bibliography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Y""; ""Z""; ""Illustrations"" 330 $aIn this new study of art in fin-de-siecle Hamburg, Carolyn Kay examines the career of the city's art gallery director, Alfred Lichtwark, one of Imperial Germany's most influential museum directors and a renowned cultural critic. A champion of modern art, Lichtwark stirred controversy among the city's bourgeoisie by commissioning contemporary German paintings for the Kunsthalle by secession artists and supporting the formation of an independent art movement in Hamburg influenced by French impressionism. Drawing on an extensive amount of archival research, and combining both historical and art historical approaches, Kay examines Lichtwark's cultural politics, their effect on the Hamburg bourgeoisie, and the subsequent changes to the cultural scene in Hamburg. Kay focuses her study on two modern art scandals in Hamburg and shows that Lichtwark faced strong public resistance in the 1890s, winning significant support from the city's bourgeoisie only after 1900. Lichtwark's struggle to gain acceptance for impressionism highlights conflicts within the city's middle class as to what constituted acceptable styles and subjects of German art, with opposition groups demanding a traditional and 'pure' German culture. The author also considers who within the Hamburg bourgeoisie supported Lichtwark, and why. Kay's local study of the debate over cultural modernism in Imperial Germany makes a significant contribution both to the study of modernism and to the history of German culture. 606 $aPainting, German$y19th century 606 $aPainting, German$y20th century 606 $aArt patronage$zGermany$zHamburg 606 $aArt and the middle class$zGermany$zHamburg 607 $aHamburg$2gnd 607 $aGermany$zHamburg$2fast 608 $aHistory. 608 $aElectronic books. 615 0$aPainting, German 615 0$aPainting, German 615 0$aArt patronage 615 0$aArt and the middle class 676 $a759.3/515 700 $aKay$b Carolyn Helen$01467676 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910780421503321 996 $aArt and the German bourgeoisie$93678435 997 $aUNINA