LEADER 03311nam 2200781 450 001 9910780420703321 005 20230912162314.0 010 $a1-282-03983-0 010 $a9786612039836 010 $a1-4426-7111-4 024 7 $a10.3138/9781442671119 035 $a(CKB)2420000000003833 035 $a(OCoLC)658108801 035 $a(CaPaEBR)ebrary10219347 035 $a(SSID)ssj0000289483 035 $a(PQKBManifestationID)11220305 035 $a(PQKBTitleCode)TC0000289483 035 $a(PQKBWorkID)10401627 035 $a(PQKB)11364323 035 $a(CaBNvSL)slc00211315 035 $a(DE-B1597)464196 035 $a(OCoLC)944178451 035 $a(DE-B1597)9781442671119 035 $a(Au-PeEL)EBL4671208 035 $a(CaPaEBR)ebr11256926 035 $a(OCoLC)958571404 035 $a(VaAlCD)20.500.12592/7758ps 035 $a(schport)gibson_crkn/2009-12-01/7/421023 035 $a(MiAaPQ)EBC4671208 035 $a(MdBmJHUP)musev2_104441 035 $a(MiAaPQ)EBC3255439 035 $a(EXLCZ)992420000000003833 100 $a20160922h19921992 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAural images of lost traditions $esharps and flats in the sixteenth century /$fRobert Toft 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d1992. 210 4$dİ1992 215 $a1 online resource (208 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8020-5929-5 320 $aIncludes bibliographical references and indexes. 327 $aCONTENTS -- ACKNOWLEDGMENTS -- Introduction -- 1 Theoretical Framework -- 2 Pitch-Content in Josquin's Motets -- 3 The German Custom -- 4 Traditions of Pitch-Content -- Conclusion -- APPENDIX -- NOTES -- GLOSSARY -- B -- C -- D -- E -- F -- G -- H -- I -- K -- M -- N -- O -- P -- R -- S -- T -- V -- BIBLIOGRAPHY -- LIST OF EXAMPLES -- INDEX OF NAMES AND TITLES -- A -- B -- C -- D -- E -- F -- G -- H -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- V -- Z -- GENERAL INDEX -- A -- B 327 $aCd -- f -- h -- i -- l -- m -- n -- o -- p -- r -- s -- t -- u -- v -- w 330 $aThe oral traditions surrounding the application of sharps and flats to 16th century vocal music are documented in relation to theoretical literature, vocal sources, and intabulations of vocal music. Special reference is made to the motets of Josquin Desprez, Clemens non Papa, and Alexander Agricola. 606 $aMusica ficta 606 $aPerformance practice (Music)$xHistory$y16th century 606 $aMusic theory$xHistory$y16th century 606 $aVocal music$y16th century$xHistory and criticism 608 $aHistory. 608 $aCriticism, interpretation, etc. 608 $aElectronic books. 615 0$aMusica ficta. 615 0$aPerformance practice (Music)$xHistory 615 0$aMusic theory$xHistory 615 0$aVocal music$xHistory and criticism. 676 $a782.02/32/0931 700 $aToft$b Robert$01467671 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910780420703321 996 $aAural images of lost traditions$93678429 997 $aUNINA