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035   $a(schport)gibson_crkn/2009-12-01/7/420771
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100   $a20160922h19931993  uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aBarbarian play $ePlautus' Roman comedy /$fWilliam S. Anderson
210  1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d1993.
210  4$dİ1993
215   $a1 online resource (195 p.)
225 1 $aThe Robson Classical Lectures
300   $aDescription based upon print version of record.
311   $a0-8020-7941-5 
320   $aIncludes bibliographical references and index.
327   $tContents --$tForeword --$tPreface --$g1$tPlautus and the Deconstruction of Menander --$g2$tsi amicus Diphilo aut Philemoni es: Plautus' Exploitation of Other Writers and Features of the Greek Comic Tradition --$g3$tPlautus' Plotting: The Lover Upstaged --$g4$tHeroic Badness (malitia): Plautus' Characters and Themes --$g5$tWords, Numbers, Movement: Plautus' Mastery of Comic Language, Metre, and Staging --$g6$tPlautus and His Audience: The Roman Connection --$tNotes --$tBibliography --$tIndex.
330   $aAnderson explores the special form of metatheatre that we admire in Plautus, by which he undermines the assumptions of his Greek `models' and replaces them with a new, confident Roman comedy.
410  0$aRobson classical lectures.
606   $aLatin drama (Comedy)$xGreek influences
606   $aLatin drama (Comedy)$xHistory and criticism
606   $aLITERARY CRITICISM / Ancient & Classical$2bisacsh
607   $aRome (Empire)$2fast
607   $aGreece$2fast
607   $aRome$xIn literature
607   $aGreece$xIn literature
608   $aCriticism, interpretation, etc.
608   $aElectronic books. 
615  0$aLatin drama (Comedy)$xGreek influences.
615  0$aLatin drama (Comedy)$xHistory and criticism.
615  7$aLITERARY CRITICISM / Ancient & Classical.
676   $a872.01
700   $aAnderson$b William S.$0164152
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910780419703321
996   $aBarbarian play$91117123
997   $aUNINA