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200 10$aTelematic embrace$b[electronic resource] $evisionary theories of art, technology, and consciousness /$fRoy Ascott ; edited and with an essay by Edward A. Shanken
210   $aBerkeley $cUniversity of California Press$dc2003
215   $a1 online resource (441 p.)
300   $aDescription based upon print version of record.
311   $a0-520-21803-5 
320   $aIncludes bibliographical references (p. 399-411) and index.
327   $aILLUSTRATIONS; PREFACE AND ACKNOWLEDGMENTS; FROM CYBERNETICS TO TELEMATICS; 1. THE CONSTRUCTION OF CHANGE; 2. STATEMENT FROM CONTROL; 3. BEHAVIOURIST ART AND THE CYBERNETIC VISION; 4. BEHAVIOURABLES AND FUTURIBLES; 5. THE PSIBERNETIC ARCH; 6. TABLE; 7. CONNECTIVE CRITICISM; 8. NETWORK AS ARTWORK: THE FUTURE OF VISUAL ARTS EDUCATION; 9. TOWARDS A FIELD THEORY FOR POSTMODERNIST ART; 10. TEN WINGS; 11. ART AND TELEMATICS: TOWARDS A NETWORK CONSCIOUSNESS; 12. CONCERNING NETS AND SPURS: MEANING, MIND, AND TELEMATIC DIFFUSION; 13. ART AND EDUCATION IN THE TELEMATIC CULTURE
327   $a14. GESAMTDATENWERK: CONNECTIVITY, TRANSFORMATION, AND TRANSCENDENCE15. BEYOND TIME-BASED ART: ESP, PDP, AND PU; 16. IS THERE LOVE IN THE TELEMATIC EMBRACE?; 17. PHOTOGRAPHY AT THE INTERFACE; 18. HEAVENLY BODIES: TELECONSTRUCTING A ZODIAC FOR THE TWENTY-FIRST CENTURY; 19. TELENOIA; 20. FROM APPEARANCE TO APPARITION: COMMUNICATION AND CULTURE IN THE CYBERSPACE; 21. THE ARS ELECTRONICA CENTER DATAPOOL; 22. THE PLANETARY COLLEGIUM: ART AND EDUCATION IN THE POST-BIOLOGICAL ERA; 23. THE ARCHITECTURE OF CYBERCEPTION; 24. BACK TO NATURE II: ART AND TECHNOLOGY IN THE TWENTY-FIRST CENTURY
327   $a25. THE MIND OF THE MUSEUM26. WEAVING THE SHAMANTIC WEB: ART AND TECHNOLOGIES IN THE BIO-TELEMATIC DOMAIN; 27. ART @ THE EDGE OF THE NET: THE FUTURE WILL BE MOIST!; 28. TECHNOETIC AESTHETICS: 100 TERMS AND DEFINITIONS FOR THE POST-BIOLOGICAL ERA; APPENDIX I: PROFESSIONAL APPOINTMENTS; APPENDIX II: PUBLICATIONS; APPENDIX III: ART PROJECTS AND EXHIBITIONS; APPENDIX IV: CAIIA-STAR RESEARCH CONFERENCES; REFERENCES; INDEX
330   $aLong before e-mail and the Internet permeated society, Roy Ascott, a pioneering British artist and theorist, coined the term ""telematic art"" to describe the use of online computer networks as an artistic medium. In Telematic Embrace Edward A. Shanken gathers, for the first time, an impressive compilation of more than three decades of Ascott's philosophies on aesthetics, interactivity, and the sense of self and community in the telematic world of cyberspace.
606   $aComputer art
606   $aArt and technology
606   $aArt$xForecasting
615  0$aComputer art.
615  0$aArt and technology.
615  0$aArt$xForecasting.
676   $a700/.285
700   $aAscott$b Roy$01472462
701   $aShanken$b Edward A.$f1964-$01558092
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