LEADER 03439nam 2200637 a 450 001 9910780180203321 005 20230422042532.0 010 $a0-8147-2870-7 010 $a0-585-42479-9 024 7 $a10.18574/9780814728703 035 $a(CKB)111056486726270 035 $a(EBL)865460 035 $a(OCoLC)828303778 035 $a(SSID)ssj0000140750 035 $a(PQKBManifestationID)11157276 035 $a(PQKBTitleCode)TC0000140750 035 $a(PQKBWorkID)10053492 035 $a(PQKB)11076249 035 $a(MiAaPQ)EBC865460 035 $a(OCoLC)50706067 035 $a(MdBmJHUP)muse10817 035 $a(DE-B1597)547704 035 $a(DE-B1597)9780814728703 035 $a(Au-PeEL)EBL865460 035 $a(CaPaEBR)ebr10032532 035 $a(EXLCZ)99111056486726270 100 $a20000329d2000 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDoing time$b[electronic resource] $efeminist theory and postmodern culture /$fRita Felski 210 $aNew York $cNew York University Press$dc2000 215 $a1 online resource (227 p.) 225 1 $aCultural front 300 $aDescription based upon print version of record. 311 $a0-8147-2707-7 311 $a0-8147-2706-9 320 $aIncludes bibliographical references and index. 327 $aNothing to declare : identity, shame, and the lower middle class -- New cultural theories of modernity -- The invention of everyday life -- Judith Krantz, author of The cultural logics of late capitalism -- The doxa of difference -- Fin de sie?cle, fin de sexe : transsexuality and the death of history -- Images of the intellectual : from philosophy to cultural studies -- Why feminism doesn't need an aesthetic (and why it can't ignore aesthetics) -- Feminism, postmodernism, and the critique of modernity. 330 $aContemporary theory is full of references to the modern and the postmodern. How useful are these terms? What exactly do they mean? And how is our sense of these terms changing under the pressure of feminist analysis? In Doing Time, Rita Felski argues that it makes little sense to think of the modern and postmodern as opposing or antithetical terms. Rather, we need a historical perspective that is attuned to cultural and political differences within the same time as well as the leaky boundaries between different times. Neither the modern nor the postmodern are unified, coherent, or self-evident realities. Drawing on cultural studies and critical theory, Felski examines a range of themes central to debates about postmodern culture, including changing meanings of class, the end of history, the status of art and aesthetics, postmodernism as "the end of sex," and the politics of popular culture. Placing women at the center of analysis, she suggests, has a profound impact on the way we thing about historical periods. As a result, feminist theory is helping to reshape our vision of both the modern and the postmodern. 410 0$aCultural front (Series) 606 $aFeminist theory 606 $aPostmodernism 615 0$aFeminist theory. 615 0$aPostmodernism. 676 $a305.42/01 700 $aFelski$b Rita$f1956-$0742789 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910780180203321 996 $aDoing time$93692714 997 $aUNINA