LEADER 03507nam 22007212 450 001 9910780094303321 005 20160329150130.0 010 $a1-107-11126-9 010 $a0-511-05159-X 010 $a1-280-15364-4 010 $a0-511-30953-8 010 $a0-521-64144-6 010 $a0-511-48410-0 010 $a0-511-14923-9 010 $a0-511-11730-2 035 $a(CKB)111056485617058 035 $a(EBL)141568 035 $a(OCoLC)559550345 035 $a(SSID)ssj0000239415 035 $a(PQKBManifestationID)11195061 035 $a(PQKBTitleCode)TC0000239415 035 $a(PQKBWorkID)10240057 035 $a(PQKB)10156882 035 $a(UkCbUP)CR9780511484100 035 $a(MiAaPQ)EBC141568 035 $a(Au-PeEL)EBL141568 035 $a(CaPaEBR)ebr10014935 035 $a(CaONFJC)MIL15364 035 $a(EXLCZ)99111056485617058 100 $a20090224d1999|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aRomantic poets and the culture of posterity /$fAndrew Bennett$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d1999. 215 $a1 online resource (xiii, 268 pages) $cdigital, PDF file(s) 225 1 $aCambridge studies in Romanticism ;$v35 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-02689-X 311 $a0-511-00739-6 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Writing for the future -- The Romantic culture of posterity -- Engendering posterity -- Wordsworth's survival -- Coleridge's conversation -- Keats's prescience -- Shelley's ghosts -- Byron's success -- Afterword. 330 $aThis 1999 book examines the way in which the Romantic period's culture of posterity inaugurates a tradition of writing which demands that the poet should write for an audience of the future: the true poet, a figure of neglected genius, can be properly appreciated only after death. Andrew Bennett argues that this involves a radical shift in the conceptualization of the poet and poetic reception, with wide-ranging implications for the poetry and poetics of the Romantic period. He surveys the contexts for this transformation of the relationship between poet and audience, engaging with issues such as the commercialization of poetry, the gendering of the canon, and the construction of poetic identity. Bennett goes on to discuss the strangely compelling effects which this reception theory produces in the work of Wordsworth, Coleridge, Keats, Shelley and Byron, who have come to embody, for posterity, the figure of the Romantic poet. 410 0$aCambridge studies in Romanticism ;$v35. 517 3 $aRomantic Poets & the Culture of Posterity 606 $aEnglish poetry$y19th century$xHistory and criticism$xTheory, etc 606 $aRomanticism$zGreat Britain 606 $aReader-response criticism 606 $aAuthors and readers 615 0$aEnglish poetry$xHistory and criticism$xTheory, etc. 615 0$aRomanticism 615 0$aReader-response criticism. 615 0$aAuthors and readers. 676 $a821/.709145 700 $aBennett$b Andrew$f1960 December 2-$01531341 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910780094303321 996 $aRomantic poets and the culture of posterity$93776929 997 $aUNINA