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101 0 $aeng
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aPolitics and theater $ethe crisis of legitimacy in restoration France, 1815-1830 /$fSheryl Kroen
210   $aBerkeley $cUniversity of California Press$dc2000
215   $a1 online resource (xiv, 394 pages)
225 1 $aStudies on the history of society and culture ;$v40
300   $aDescription based upon print version of record.
311 0 $a0-520-22214-8 
320   $aIncludes bibliographical references (p. 375-385) and index.
327   $tFront matter --$tContents --$tIllustrations --$tPreface --$tIntroduction: Staging Monarchy in a Post revolutionary World --$t1. The "Counterrevolutionary" State and the Politics of Oubli (Forgetting) --$t2. The Missionaries: Expiation and the Resacralization of the King's Two Bodies --$t3. Competing Commemorations: The Problem of Performing Monarchy --$t4. "Practicing" Politics in an Age of Counterrevolution --$t5. Popular Anticlericalism: Defining the Sacred in Post revolutionary France --$t6. Tartufferie --$tConclusion --$tNotes --$tSelected Bibliography --$tIndex
330   $aMoliére's anticlerical comedy Tartuffe is the unique prism through which Sheryl Kroen views post revolutionary France in the years of the Restoration. Following the lead of the French men and women who turned to this play in the 1820's to make sense of their world, Kroen exposes the crisis of legitimacy defining the regime in these years and demonstrates how the people of the time made steps toward a democratic resolution to this crisis. Moving from the town squares, where state and ecclesiastical officials orchestrated their public spectacles in favor of the monarchy, to the theaters, where the French used Tartuffe to mock the restored monarch and the church, this cultural history of the Restoration offers a rich and colorful portrait of a period in which critical legacies of the revolutionary period were played out and cemented. While most historians have characterized the Restoration as a period of reaction and reversal, Kroen offers convincing evidence that the Restoration was a critical bridge between the emerging practices of the Old Regime, the Revolution, and the post-1830 politics of protest. She re-creates the atmosphere of Restoration France and at the same time brings major nineteenth-century themes into focus: memory and commemoration, public and private spheres, politics and religion, anticlericalism, and the formation of democratic ideologies and practices.
410  0$aStudies on the history of society and culture ;$v40.
606   $aLegitimacy of governments$zFrance
606   $aMonarchy$zFrance$xHistory$y19th century
606   $aDemocracy$zFrance$xHistory$y19th century
607   $aFrance$xHistory$yRestoration, 1814-1830$xPolitical aspects
607   $aFrance$xHistory$yJuly Revolution, 1830$xTheater and the revolution
610   $aanticlerical comedy.
610   $aanticlericalism.
610   $aclerics.
610   $acomedy.
610   $acultural history.
610   $acultural studies.
610   $adauphin.
610   $ademocracy.
610   $aecclesiastical officials.
610   $aeurope.
610   $afrench catholicism.
610   $afrench comedy.
610   $afrench history.
610   $afrench revolution.
610   $agovernment.
610   $ahistory.
610   $aking.
610   $amonarchy.
610   $apolitical engagement.
610   $apolitical legitimacy.
610   $apolitics.
610   $apostrevolutionary france.
610   $aprotest.
610   $apublic spectacles.
610   $aregime.
610   $areign.
610   $areligion.
610   $arepresentative government.
610   $arepublic.
610   $arestoration.
610   $arestored monarch.
610   $arevolutionary period.
610   $asatire.
610   $asocial commentary.
610   $atartuffe.
610   $atheatricality.
615  0$aLegitimacy of governments
615  0$aMonarchy$xHistory
615  0$aDemocracy$xHistory
676   $a944.06
700   $aKroen$b Sheryl$f1961-$01020151
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910780080703321
996   $aPolitics and theater$92409937
997   $aUNINA