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181   $ctxt
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200 10$aReturning cycles$b[electronic resource] $econtexts for the interpretation of Schubert's impromptus and last sonatas /$fCharles Fisk
210   $aBerkeley $cUniversity of California Press$dc2001
215   $a1 online resource (324 p.)
225 1 $aCalifornia studies in 19th century music ;$v11
300   $aDescription based upon print version of record.
311   $a0-520-22564-3 
320   $aIncludes bibliographical references and index.
327   $aPreliminaries; Contents; Acknowledgments; Prologue: Schubert after Winterreise; 1. Resonant Beginnings; 2. Fields of Resonance; 3. The Wanderer's Tracks; 4. Retelling the "Unfinished"; 5. Expanding the Scope of Schubertian Tonality; 6. Displacing the Sonata: The Opus 142 Impromptus; 7. Beethoven in the Image of Schubert; 8. Recovering a Song of Origin; 9. Schubert's Last "Wanderer"; Afterword; Notes; Index
330   $aThis compelling investigation of the later music of  Franz Schubert explores the rich terrain of Schubert's impromptus and last piano sonatas. Drawing on the relationships between these pieces and Schubert's Winterreise song cycle, his earlier ""Der Wanderer,"" the closely related ""Unfinished"" Symphony, and his story of exile and homecoming, ""My Dream,"" Charles Fisk explains how Schubert's view of his own life may well have shaped his music in the years shortly before his death.
410  0$aCalifornia studies in 19th century music ;$v11.
606   $aPiano music$xAnalysis, appreciation
606   $aSonatas (Piano)$xAnalysis, appreciation
615  0$aPiano music$xAnalysis, appreciation.
615  0$aSonatas (Piano)$xAnalysis, appreciation.
676   $a786.2/1894/092
700   $aFisk$b Charles$01518023
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