LEADER 03236nam 22007212 450 001 9910780075003321 005 20230718030938.0 010 $a0-511-08910-4 010 $a1-107-11574-4 010 $a1-280-43222-5 010 $a0-511-17336-9 010 $a0-511-15242-6 010 $a0-511-32751-X 010 $a0-511-60591-9 010 $a0-511-05111-5 024 7 $a2027/heb07658 035 $a(CKB)111056485649298 035 $a(EBL)201638 035 $a(OCoLC)437063135 035 $a(SSID)ssj0000104299 035 $a(PQKBManifestationID)11140791 035 $a(PQKBTitleCode)TC0000104299 035 $a(PQKBWorkID)10079508 035 $a(PQKB)11302061 035 $a(UkCbUP)CR9780511605918 035 $a(Au-PeEL)EBL201638 035 $a(CaPaEBR)ebr10015019 035 $a(CaONFJC)MIL43222 035 $a(MiAaPQ)EBC201638 035 $a(dli)HEB07658 035 $a(MiU)MIU01000000000000007433120 035 $a(EXLCZ)99111056485649298 100 $a20141103d2000|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAnton Bruckner, symphony no. 8 /$fBenjamin M. Korstvedt$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2000. 215 $a1 online resource (xi, 133 pages) $cdigital, PDF file(s) 225 1 $aCambridge music handbooks 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-63537-3 311 $a0-521-63226-9 320 $aIncludes bibliographical references (p. 129-131) and index. 327 $aPlacing the eighth symphony -- The genesis and evolution of the Eighth Symphony -- The musical design and symphonic agenda of the Eighth -- The Adagio and the sublime -- The 1887 version of the 1890 version -- The 1892 edition, authorship, and performance practice. 330 $aAnton Bruckner's Eighth Symphony (1890), one of the last of the great Romantic symphonies, is a grandly complex masterpiece. Its critical reception has been fascinatingly contentious. Its music, at once extensive and distilled, directly confronts the problem of the symphony after Beethoven and after Wagner. This book explores this many-faceted work from several angles. It documents the complicated and often misunderstood history of the symphony's composition and revision and offers an accessible guide to its musical design. It demonstrates, by means of a study of well-known recordings, how performance styles have evolved in this century. It also revisits the conventional wisdom about the various versions and editions of the symphony and comes to some provocative new conclusions. 410 0$aCambridge music handbooks. 517 1 $aBruckner, Symphony no. 8 606 $aSymphonies 608 $aSymphonies.$2lcgft 608 $aArt music.$2lcgft 615 0$aSymphonies. 676 $a784.2/184 700 $aKorstvedt$b Benjamin M.$0791028 701 2$aBruckner$b Anton$f1824-1896.$0558860 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910780075003321 996 $aAnton Bruckner, symphony no. 8$93755343 997 $aUNINA