LEADER 02555nam 2200529 a 450 001 9910780068203321 005 20230717205339.0 010 $a0-511-05356-8 010 $a0-511-15206-X 010 $a0-511-00885-6 035 $a(CKB)111056485646168 035 $a(EBL)147300 035 $a(OCoLC)51052200 035 $a(SSID)ssj0000195981 035 $a(PQKBManifestationID)12030833 035 $a(PQKBTitleCode)TC0000195981 035 $a(PQKBWorkID)10141525 035 $a(PQKB)11777552 035 $a(MiAaPQ)EBC147300 035 $a(EXLCZ)99111056485646168 100 $a20000304d1999 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe making of modern intellectual property law $ethe British experience, 1760-1911 /$fBrad Sherman, Lionel Bently 210 1$aCambridge ;$aNew York :$cCambridge University Press,$d1999. 215 $a1 online resource (xx, 242 pages) 225 1 $aCambridge studies in intellectual property rights 311 0 $a0-521-56363-1 320 $aIncludes bibliographical references (221-236) and index. 327 $aPreliminaries; Contents; Acknowledgments; Abbreviations; Table of statutes and bills; Table of cases; Introduction; 1 Property in mental labour; 2 The mentality of intangible property; 3 Designing the law; 4 Managing the legal boundaries; Part 3 Towards an intellectual property law; 5 Crystallisation of the categories; 6 Completing the framework; 7 Explanations for the shape of intellectual property law; 8 Changes in the framework; 9 From creation to object; 10 Closure and its consequences; 11 Remembering and forgetting; Bibliography; Index 330 $aThis book is the first detailed historical account of why intellectual property law with its sub-categories of patents, copyright, designs and trade marks took the shape that it did over the course of the nineteenth century. The authors also discuss ways in which the law grants property status to intangibles. 410 0$aCambridge studies in intellectual property rights. 606 $aIntellectual property$zGreat Britain$xHistory 615 0$aIntellectual property$xHistory. 676 $a346.42048 700 $aSherman$b Brad$0464745 701 $aBently$b Lionel$f1964-$0320595 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910780068203321 996 $aThe making of modern intellectual property law$93826627 997 $aUNINA LEADER 04002nam 2200781 450 001 9910806153003321 005 20230807221146.0 010 $a0-8232-6680-X 010 $a0-8232-6461-0 010 $a0-8232-6460-2 024 7 $a10.1515/9780823264605 035 $a(CKB)3710000000450509 035 $a(EBL)3430740 035 $a(SSID)ssj0001552273 035 $a(PQKBManifestationID)16171517 035 $a(PQKBTitleCode)TC0001552273 035 $a(PQKBWorkID)14798433 035 $a(PQKB)11033325 035 $a(StDuBDS)EDZ0001283565 035 $a(MiAaPQ)EBC3430740 035 $a(OCoLC)914229934 035 $a(MdBmJHUP)muse43491 035 $a(DE-B1597)555433 035 $a(DE-B1597)9780823264605 035 $a(Au-PeEL)EBL3430740 035 $a(CaPaEBR)ebr11087929 035 $a(OCoLC)930706529 035 $a(EXLCZ)993710000000450509 100 $a20150819h20152015 uy 0 101 0 $aeng 135 $aur|nu---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aEnding and unending agony $eon maurice blanchot /$fPhilippe Lacoue-Labarthe ; translated by Hannes Opelz 205 $aFirst edition. 210 1$aNew York, [New York] :$cFordham University Press,$d2015. 210 4$dİ2015 215 $a1 online resource (192 p.) 225 1 $aLit Z 300 $aDescription based upon print version of record. 311 0 $a0-8232-6457-2 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tTranslator?s Note --$tIntroduction --$tPrologue --$tI. ?The Secret Miracle? (20 July?) --$tII. Ending and Unending Agony (22 September?) --$tNotes --$tBibliographical Note --$tIndex of Names --$tSara Guyer and Brian McGrath, series editors 330 $aPublished posthumously, Ending and Unending Agony is Philippe Lacoue-Labarthe?s only book entirely devoted to the French writer and essayist Maurice Blanchot (1907?2003). The place of Blanchot in Lacoue-Labarthe?s thought was both discreet and profound, involving difficult, agonizing questions about the status of literature, with vast political and ethical stakes. Together with Plato, Holderlin, Nietzsche, Benjamin, and Heidegger, Blanchot represents a decisive crossroads for Lacoue-Labarthe?s central concerns. In this book, they converge on the question of literature, and in particular of literature as the question of myth?in this instance, the myth of the writer born of the autobiographical experience of death. However, the issues at stake in this encounter are not merely autobiographical; they entail a relentless struggle with processes of figuration and mythicization inherited from the age-old concept of mimesis that permeates Western literature and culture. As this volume demonstrates, the originality of Blanchot?s thought lies in its problematic but obstinate deconstruction of precisely such processes.In addition to offering unique, challenging readings of Blanchot?s writings, setting them among those of Montaigne, Rousseau, Freud, Winnicott, Artaud, Bataille, Lacan, Malraux, Leclaire, Derrida, and others, this book offers fresh insights into two crucial twentieth-century thinkers and a new perspective on contemporary debates in European thought, criticism, and aesthetics. 410 0$aLit z. 606 $aWorld War, 1939-1945 610 $aLacoue-Labarthe. 610 $aMetaphysics. 610 $aautobiography. 610 $abirth of literature. 610 $ablanchot. 610 $adeconstruction. 610 $aexperience of death. 610 $amyth. 610 $aprimal scene. 610 $apsychoanalysis. 615 0$aWorld War, 1939-1945. 676 $a843.914 700 $aLacoue-Labarthe$b Philippe$0161196 702 $aOpelz$b Hannes 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910806153003321 996 $aEnding and unending agony$94031502 997 $aUNINA