LEADER 03906nam 2200685 a 450 001 9910779978203321 005 20200520144314.0 010 $a1-78533-034-9 010 $a0-85745-732-2 024 7 $a10.1515/9780857457325 035 $a(CKB)2550000001108895 035 $a(EBL)1337705 035 $a(OCoLC)855505427 035 $a(SSID)ssj0000953849 035 $a(PQKBManifestationID)11511007 035 $a(PQKBTitleCode)TC0000953849 035 $a(PQKBWorkID)10937168 035 $a(PQKB)10560599 035 $a(MiAaPQ)EBC1337705 035 $a(Au-PeEL)EBL1337705 035 $a(CaPaEBR)ebr10745007 035 $a(CaONFJC)MIL508982 035 $a(DE-B1597)636949 035 $a(DE-B1597)9780857457325 035 $a(EXLCZ)992550000001108895 100 $a20120413d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFrom fidelity to history$b[electronic resource] $efilm adaptations as cultural events in the twentieth century /$fAnne-Marie Scholz 210 $aNew York $cBerghahn Books$d2013 215 $a1 online resource (239 p.) 225 0 $aTransatlantic Perspectives ;$v3 225 0$aTransatlantic perspectives ;$v11 300 $aDescription based upon print version of record. 311 $a0-85745-731-4 311 $a1-299-77731-7 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Adaptation as reception: how film historians can contribute to the "literature to film" debates -- Post Cold War readings of the receptions of Anglo-American Hollywood. Adaptations in Cold War West Germany: 1950-1963 -- "Eine revolution des films": The third man (1949), the Cold War, and alternatives to nationalism and "coca-colonization" in Europe -- The bridge on the River Kwai (1957) revisited: combat cinema, American culture and the German past -- "Josef K von 1963": Orson Welles' "Americanized" version of the the trial and the changing functions of the "Kafkaesque" in Cold War West Germany -- Postfeminist relations between "classic" texts and Hollywood film adaptations in the United States in the 1990s: Introduction. "Jane-mania": the Jane Austen film boom in the 1990s -- Thelma and sense and Louise and sensibility: challenging dichotomies in women's history through film and literature -- "Jamesian proportions": the Henry James film boom in the 1990s -- Conclusion -- A case for the "case study": the future of adaptation studies as a branch of transnational film history. 330 $a Scholarly approaches to the relationship between literature and film, ranging from the traditional focus upon fidelity to more recent issues of intertextuality, all contain a significant blind spot: a lack of theoretical and methodological attention to adaptation as an historical and transnational phenomenon. This book argues for a historically informed approach to American popular culture that reconfigures the classically defined adaptation phenomenon as a form of transnational reception. Focusing on several case studies- including the films Sense and Sensibility (1995) and The Portrait of a 410 0$aTransatlantic Perspectives 606 $aFilm adaptations$xHistory and criticism 606 $aMotion pictures and literature 606 $aMotion pictures and history 610 $aCultural Studies (General), History: 20th Century to Present, Film and Television Studies. 615 0$aFilm adaptations$xHistory and criticism. 615 0$aMotion pictures and literature. 615 0$aMotion pictures and history. 676 $a791.43/6 686 $aAP 47600$qBVB$2rvk 700 $aScholz$b Anne-Marie$01556749 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910779978203321 996 $aFrom fidelity to history$93819669 997 $aUNINA