LEADER 03222nam 22006732 450 001 9910779920903321 005 20151005020620.0 010 $a1-107-11785-2 010 $a0-521-03495-7 010 $a0-511-17334-2 010 $a1-280-42079-0 010 $a0-511-15240-X 010 $a0-511-48233-7 010 $a0-511-04855-6 010 $a0-511-32749-8 035 $a(CKB)111056485623582 035 $a(EBL)201582 035 $a(OCoLC)179091308 035 $a(SSID)ssj0000183832 035 $a(PQKBManifestationID)11939048 035 $a(PQKBTitleCode)TC0000183832 035 $a(PQKBWorkID)10200482 035 $a(PQKB)10234336 035 $a(UkCbUP)CR9780511482335 035 $a(MiAaPQ)EBC201582 035 $a(Au-PeEL)EBL201582 035 $a(CaPaEBR)ebr2000866 035 $a(CaONFJC)MIL42079 035 $a(EXLCZ)99111056485623582 100 $a20090216d2000|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aIrony and misreading in the Annals of Tacitus /$fEllen O'Gorman$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2000. 215 $a1 online resource (vii, 200 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-66056-4 311 $a0-511-01744-8 320 $aIncludes bibliographical references (p. 184-192) and indexes. 327 $a1. Introduction: irony, history, reading -- 2. Imperium sine fine: problems of definition in Annals I -- 3. Germanicus and the reader in the text -- 4. Reading Tiberius at face value -- 5. Obliteration and the literate emperor -- 6. The empress's plot -- 7. Ghostwriting the emperor Nero -- 8. Conclusion: the end of history. 330 $aThis 2000 book examines Tacitus' Annals as an ironic portrayal of Julio-Claudian Rome, through close analysis of passages in which characters engage in interpretation and misreading. By representing the misreading of signifying systems - such as speech, gesture, writing, social structures and natural phenomena - Tacitus obliquely comments upon the perversion of Rome's republican structure in the new principate. Furthermore, this study argues that the distinctively obscure style of the Annals is used by Tacitus to draw his reader into the ambiguities and compromises of the political regime it represents. The strain on language and meaning both portrayed and enacted by the Annals in this way gives voice to a form of political protest to which the reader must respond in the course of interpreting the narrative. 517 3 $aIrony & Misreading in the Annals of Tacitus 606 $aRhetoric, Ancient 606 $aIrony 607 $aRome$xHistory$yJulio-Claudians, 30 B.C.-68 A.D$xHistoriography 607 $aRome$xHistoriography 615 0$aRhetoric, Ancient. 615 0$aIrony. 676 $a878/.0109 700 $aO'Gorman$b Ellen$0213541 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910779920903321 996 $aIrony and misreading in the Annals of Tacitus$9306325 997 $aUNINA LEADER 02438nam 2200565 450 001 9910824031803321 005 20180613002930.0 010 $a1-4744-0009-4 010 $a1-78539-770-2 010 $a1-4744-0388-3 024 7 $a10.1515/9781474403887 035 $a(CKB)3710000000585037 035 $a(EBL)4354178 035 $a(MiAaPQ)EBC4354178 035 $a(DE-B1597)616021 035 $a(DE-B1597)9781474403887 035 $a(EXLCZ)993710000000585037 100 $a20160408h20162016 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aChinese martial arts cinema $ethe Wuxia tradition /$fStephen Teo 205 $a2nd ed. 210 1$aEdinburgh :$cEdinburgh University Press,$d[2016] 210 4$dİ2016 215 $a1 online resource (272 p.) 225 1 $aTraditions in World Cinema 300 $aDescription based upon print version of record. 311 $a1-4744-0386-7 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tCONTENTS -- $tTraditions in World Cinema -- $tAcknowledgements -- $tPreface -- $t1. Introduction -- $t1. Wuxia from Literature to Cinema -- $t2. Reactions against the Wuxia Genre -- $t3. The Rise of Kung Fu, from Wong Fei-hung to Bruce Lee -- $t4. The Rise of New School Wuxia -- $t5. The Wuxia Films of King Hu -- $t6. Wuxia after A Touch of Zen -- $t7. Wuxia between Nationalism and Transnationalism -- $t8. Wuxia and Kung Fu in the Blockbuster Era -- $tEpilogue -- $tGlossary -- $tBibliography -- $tFilmography -- $tIndex 330 $aA study of the Chinese martial arts film focusing on the wuxia (martial chivalry) genre from its beginnings in the Shanghai cinema of the late 1920s to Ang Lee's Crouching Tiger, Hidden Dragon (2000) and Zhang Yimou's Hero (2002) and House of Flying Daggers (2004). 410 0$aTraditions in world cinema. 606 $aMartial arts films$zChina$xHistory and criticism 606 $aMartial arts$zChina 607 $aChina$2fast 607 $aChina$2gnd 615 0$aMartial arts films$xHistory and criticism. 615 0$aMartial arts 676 $a791.436579 700 $aTeo$b Stephen$0865995 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910824031803321 996 $aChinese martial arts cinema$94016162 997 $aUNINA