LEADER 04676nam 22006732 450 001 9910779917503321 005 20151005020622.0 010 $a1-107-11490-X 010 $a0-511-17331-8 010 $a0-511-32497-9 010 $a0-511-15236-1 010 $a1-280-41881-8 010 $a0-521-62193-3 010 $a0-511-05046-1 010 $a0-511-48171-3 035 $a(CKB)111056485624646 035 $a(EBL)201875 035 $a(OCoLC)51283852 035 $a(SSID)ssj0000171857 035 $a(PQKBManifestationID)11161675 035 $a(PQKBTitleCode)TC0000171857 035 $a(PQKBWorkID)10150137 035 $a(PQKB)10835986 035 $a(UkCbUP)CR9780511481710 035 $a(Au-PeEL)EBL201875 035 $a(CaPaEBR)ebr2000775 035 $a(CaONFJC)MIL41881 035 $a(MiAaPQ)EBC201875 035 $a(EXLCZ)99111056485624646 100 $a20090216d1999|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe historical performance of music $ean introduction /$fColin Lawson and Robin Stowell$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d1999. 215 $a1 online resource (xiii, 219 pages) $cdigital, PDF file(s) 225 1 $aCambridge Handbooks to the historical performance of music 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-62738-9 311 $a0-511-01914-9 320 $aIncludes bibliographical references (p. 199-208) and index. 327 $tMusic as history.$tIntroduction ;$tThe nature and development of historical awareness ;$tInfluential reworkings of Bach and Handel ;$tHistorical considerations ;$tThe pioneers : individuals and institutions ;$tThe role of musical expression ;$tArguments pro and con ;$tPost-war philosophies ;$tPeriod Mozart and beyond ;$tThe current scene --$tThe application of primary sources.$tSurviving instruments ;$tIconographical sources ;$tHistorical archives ;$tLiterary sources ;$tPractical treatises - uses and limitations ;$tPractical treatises - a summary ;$tTheoretical treatises ;$tThe importance of communication ;$tThe role of editions ;$tMusical taste --$tChanges in musical style.$tNational idioms ;$tArticulation ;$tMelodic inflection ;$tAccentuation ;$tTempo ;$tRhythmic alteration ;$tOrnamentation ;$tExtempore embellishment ;$tImprovisation ;$tContinuo accompaniment --$tConditions and practices.$tIntroduction ;$tPitch ;$tTemperament ;$tVocal practices ;$tVenues and programmes ;$tOrchestral constitution and placement ;$tDirection ;$tNineteenth-century changes --$tCase studies in ensemble music.$tJ.S. Bach : St Matthew passion BWV 244 ;$tW.A. Mozart : Serenade for 13 instruments K361 ;$tBerlioz : Episolde de la vie d'un artiste, Symphonie fantastique en cinq parties op. 14 ;$tBrahms : Symphony no. 2 in D major op. 73 --$tThe continuing debate.$tIntroduction ;$tThe social position of historical music ;$tA snapshot from 1983 ;$tAuthenticity and early music ;$tThe 1990s ;$tThe future? 330 $aOffering students and performers a concise overview of historical performance, this 1999 book takes into account the many significant developments in the discipline. It addresses practical matters rather than philosophical issues and guides readers towards further investigation and interpretation of the evidence provided, not only in the various early instrumental and vocal treatises, but also in examples from the mainstream repertory. Designed as a parent volume for the series Cambridge Handbooks to the Historical Performance of Music, this book provides an historical basis for artistic decision-making which has as its goal the re-creation of performances as close as possible to the composer's original conception. It relates many of the issues discussed to major works by Bach, Mozart, Berlioz and Brahms, composed c.1700-c.1900, the core period which forms the principal (though not exclusive) focus for the whole series. 410 0$aCambridge Handbooks to the historical performance of music. 606 $aPerformance practice (Music)$xHistory$y18th century 606 $aPerformance practice (Music)$xHistory$y19th century 615 0$aPerformance practice (Music)$xHistory 615 0$aPerformance practice (Music)$xHistory 676 $a781.4/3/09 700 $aLawson$b Colin$g(Colin James),$01467800 702 $aStowell$b Robin 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910779917503321 996 $aThe historical performance of music$93768921 997 $aUNINA