LEADER 02396nam 2200565 a 450 001 9910779864703321 005 20231213165631.0 010 $a0-8108-8828-9 035 $a(CKB)2550000001100310 035 $a(EBL)1315698 035 $a(OCoLC)852898943 035 $a(SSID)ssj0000917879 035 $a(PQKBManifestationID)12318636 035 $a(PQKBTitleCode)TC0000917879 035 $a(PQKBWorkID)10893231 035 $a(PQKB)10875101 035 $a(MiAaPQ)EBC1315698 035 $a(Au-PeEL)EBL1315698 035 $a(CaPaEBR)ebr10734570 035 $a(CaONFJC)MIL504736 035 $a(EXLCZ)992550000001100310 100 $a20130219d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aCrossing traditions$b[electronic resource] $eAmerican popular music in local and global contexts /$fedited by Babacar M'Baye, Alexander Charles Oliver Hall 210 $aLanham, Md. $cScarecrow$d2013 215 $a1 online resource (207 p.) 300 $aDescription based upon print version of record. 311 $a0-8108-8827-0 311 $a1-299-73485-5 320 $aIncludes bibliographical references and index. 327 $apt. I. American popular music in local contexts -- pt. II. American popular music in global contexts. 330 $aIn Crossing Traditions: American Popular Music in Local and Global Contexts, a wide range of scholarly contributions on the local and global significance of American popular music examines the connections between selected American blues, rock and roll, and hip-hop music and their equivalents from Senegal, Nigeria, England, India, and Mexico. Contributors show how American popular music promotes local and global awareness of such key issues as economic inequality and social marginalization while inspiring cross-cultural an 606 $aPopular music$zUnited States$xHistory and criticism 606 $aMusic and globalization$zUnited States 615 0$aPopular music$xHistory and criticism. 615 0$aMusic and globalization 676 $a781.640973 701 $aMbaye$b Babacar$01192861 701 $aHall$b Alexander Charles Oliver$01542474 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910779864703321 996 $aCrossing traditions$93795254 997 $aUNINA