LEADER 01707nam 2200577 a 450 001 9910779824703321 005 20210107012007.0 010 $a1-282-06304-9 010 $a0-253-10684-2 010 $a0-253-10944-2 035 $a(CKB)111056485407320 035 $a(OCoLC)614726457 035 $a(CaPaEBR)ebrary10016672 035 $a(SSID)ssj0000214829 035 $a(PQKBManifestationID)11204389 035 $a(PQKBTitleCode)TC0000214829 035 $a(PQKBWorkID)10167730 035 $a(PQKB)10910056 035 $a(MiAaPQ)EBC3014830 035 $a(EXLCZ)99111056485407320 100 $a20150424d2001|||| s|| | 101 0 $aeng 181 $ctxt 182 $cc 183 $acr 200 10$aOn Translation$b[electronic resource] 210 $aBloomington, IN, USA$cIndiana University Press$d20011201 210 $cIndiana University Press 215 $a1 online resource (140 p.) 225 0 $aStudies in Continental thought On translation 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-253-34156-6 606 $aPHILOSOPHY$2bisac 606 $aCriticism$2bisac 606 $aTranslating and interpreting$xPhilosophy 606 $aSemantics (Philosophy) 606 $aPhilosophy & Religion$2HILCC 606 $aPhilosophy$2HILCC 615 7$aPHILOSOPHY 615 7$aCriticism 615 0$aTranslating and interpreting$xPhilosophy 615 0$aSemantics (Philosophy) 615 7$aPhilosophy & Religion 615 7$aPhilosophy 676 $a107/.2 700 $aSallis$b John$0153474 801 0$bPQKB 906 $aBOOK 912 $a9910779824703321 996 $aOn Translation$93813620 997 $aUNINA LEADER 04086nam 2200949 450 001 9910822815903321 005 20200520144314.0 010 $a0-520-95800-4 024 7 $a10.1525/9780520958005 035 $a(CKB)3710000000092497 035 $a(EBL)1650801 035 $a(SSID)ssj0001132905 035 $a(PQKBManifestationID)11610999 035 $a(PQKBTitleCode)TC0001132905 035 $a(PQKBWorkID)11154660 035 $a(PQKB)10097805 035 $a(MiAaPQ)EBC1650801 035 $a(OCoLC)873805867 035 $a(MdBmJHUP)muse32349 035 $a(DE-B1597)519693 035 $a(DE-B1597)9780520958005 035 $a(Au-PeEL)EBL1650801 035 $a(CaPaEBR)ebr10846225 035 $a(CaONFJC)MIL581101 035 $a(PPN)183455967 035 $a(EXLCZ)993710000000092497 100 $a20130812h20142014 uy| 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 10$aRomantic anatomies of performance /$fJ.Q. Davies 210 1$aBerkeley :$cUniversity of California Press,$d[2014] 210 4$d©2014 215 $a1 online resource (281 p.) 300 $aDescription based upon print version of record. 311 $a0-520-27939-5 320 $aIncludes bibliographical references and index. 327 $aVeluti in speculum : the twilight of the castrato -- Reflecting on reflex : a touching fact about Chopin -- The Sontag-Malibran stereotype -- Boneless hands/Thalberg's ready-made soul/velvet fingers -- In search of voice : Nourrit's voix mixte, Donzelli's bari-tenor -- Liszt's metapianism and the cultural history of the hand. 330 $aRomantic Anatomies of Performance is concerned with the very matter of musical expression: the hands and voices of virtuosic musicians. Rubini, Chopin, Nourrit, Liszt, Donzelli, Thalberg, Velluti, Sontag, and Malibran were prominent celebrity pianists and singers who plied their trade between London and Paris, the most dynamic musical centers of nineteenth-century Europe. In their day, performers such as these provoked an avalanche of commentary and analysis, inspiring debates over the nature of mind and body, emotion and materiality, spirituality and mechanism, artistry and skill. J. Q. Davies revisits these debates, examining how key musicians and their contemporaries made sense of extraordinary musical and physical abilities. This is a history told as much from scientific and medical writings as traditionally musicological ones. 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