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181   $ctxt$2rdacontent
182   $cc$2rdamedia
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200 14$aThe representation of the past $emuseums and heritage in the postmodern world /$fKevin Walsh
210  1$aLondon ;$aNew York :$cRoutledge,$d1992.
215   $a1 online resource (vii,204 pages)
225 1 $aHeritage
300   $aDescription based upon print version of record.
311   $a1-138-14348-0 
311   $a0-415-07944-6 
320   $aIncludes bibliographical references (pages 184-191) and index.
327   $aThe idea of modernity -- Post-modern societies I -- Post-modern societies II -- Conserving a past -- Simulating the past -- Heritage reconsidered -- A sense of place -- The museum as a facilitator -- Conclusion: the remoteness of the past.
330   $aThe 1980's and early 1990's have seen a marked increase in public interest in our historic environment. The museum and heritage industry has expanded as the past is exploited for commercial profit. In The Representation of the Past, Kevin Walsh examines this international trend and questions the packaging of history which serves only to distance people from their own heritage. A superficial, unquestioning portrayal of the past, he feels, separates us from an understanding of our cultural and political present. Here, Walsh suggests a number of ways in which the museum can fulfill its pot
410  0$aHeritage.
606   $aMuseum techniques
606   $aMuseums$xEducational aspects
606   $aPopular culture
606   $aMass society
615  0$aMuseum techniques
615  0$aMuseums$xEducational aspects.
615  0$aPopular culture
615  0$aMass society
676   $a069
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700   $aWalsh$b Kevin$f1963,$01468721
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996   $aThe representation of the past$93680042
997   $aUNINA