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100   $a20151224d2013      u|             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aAesthetics and Politics in the Mexican Film Industry$b[electronic resource] /$fby M. MacLaird
205   $a1st ed. 2013.
210  1$aNew York :$cPalgrave Macmillan US :$cImprint: Palgrave Macmillan,$d2013.
215   $a1 online resource (245 p.)
225 1 $aStudies of the Americas
300   $aDescription based upon print version of record.
311   $a1-137-00806-7 
311   $a1-299-71765-9 
320   $aIncludes bibliographical references and index.
327   $a""Chapter 2 Audiences and Target Markets: On Spectatorship and Citizenship                                                                               """"Chapter 3 Censorship and Sensationalism: a??? el neotremendismo autoritario a???                                                                                 ""; ""Part II The Aesthetics of Transition                                           ""; ""Chapter 4 Hyperrealism and Violence: Fatal Aesthetics                                                            ""
327   $a""Chapter 5 Independence and Innovation: Indie Film and the Youth Market                                                                             """"Chapter 6 Coproduction and Transnationalism: National Cinema in a Global Market                                                                                      ""; ""Conclusion Between Tragedy and Farce: Mexico and Its Cinema Relive History                                                                                 ""; ""List of Acronyms                       ""; ""Notes            ""; ""Bibliography                   ""
327   $a""Index            ""
330   $aEvaluating a broad selection of Mexican films produced from the early 1990s to the present, this study examines how production methods, audience demographics, and aesthetic approaches have changed throughout the past two decades and how these changes relate to the country's transitions to a democratic political system and a free-market economy.
410  0$aStudies of the Americas
606   $aMotion pictures and television
606   $aEthnology?Latin America
606   $aArts
606   $aAesthetics
606   $aPolitical science
606   $aScreen Studies$3https://scigraph.springernature.com/ontologies/product-market-codes/413000
606   $aLatin American Culture$3https://scigraph.springernature.com/ontologies/product-market-codes/411080
606   $aArts$3https://scigraph.springernature.com/ontologies/product-market-codes/416000
606   $aAesthetics$3https://scigraph.springernature.com/ontologies/product-market-codes/E11000
606   $aPolitical Science and International Relations, general$3https://scigraph.springernature.com/ontologies/product-market-codes/900000
615  0$aMotion pictures and television.
615  0$aEthnology?Latin America.
615  0$aArts.
615  0$aAesthetics.
615  0$aPolitical science.
615 14$aScreen Studies.
615 24$aLatin American Culture.
615 24$aArts.
615 24$aAesthetics.
615 24$aPolitical Science and International Relations, general.
676   $a791.430972
686   $aART044000$aART057000$aPOL000000$2bisacsh
700   $aMacLaird$b M$4aut$4http://id.loc.gov/vocabulary/relators/aut$01581841
906   $aBOOK
912   $a9910779747703321
996   $aAesthetics and Politics in the Mexican Film Industry$93863689
997   $aUNINA