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100   $a20180706d2013      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aRoutledge handbook of Indian cinemas /$fedited K. Moti Gokulsing and Wimal Dissanayake ; editorial assistant Rohit K. Dasgupta
210  1$aAbingdon, Oxon ;$aNew York, N.Y. :$cRoutledge,$d2013.
215   $a1 online resource (1264 p.)
225 1 $aRoutledge handbooks
300   $aDescription based upon print version of record.
311   $a1-138-31148-0 
311   $a0-415-67774-2 
320   $aIncludes bibliographical references and index.
327   $apt. I. Historical analysis -- pt. II. Themes and perspectives -- pt. III. The business of Indian cinemas -- pt. IV. Cinema halls and audiences.
330   $aIndia is the largest film producing country in the world and its output has a global reach. After years of marginalisation by academics in the Western world, Indian cinemas have moved from the periphery to the centre of the world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for this remarkable journey.Combining a historical and thematic approach, the Handbook discusses how Indian cinemas need to be understood in their historical unfolding as well as their complex relations
410  0$aRoutledge handbooks.
606   $aMotion pictures$zIndia$xHistory
606   $aMotion picture industry$zIndia$xHistory
615  0$aMotion pictures$xHistory.
615  0$aMotion picture industry$xHistory.
676   $a791.430954
701   $aDasgupta$b Rohit K$01150952
701   $aDissanayake$b Wimal$0532319
701   $aGokulsing$b K. Moti$01553164
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910779682503321
996   $aRoutledge handbook of Indian cinemas$93813518
997   $aUNINA