LEADER 01435nam0 2200313 i 450 001 SUN0029352 005 20180411093001.862 010 $a978-01-211-7851-2$d0.00 100 $a20041203d1966 |0engc50 ba 101 $aeng 102 $aUS 105 $a|||| ||||| 200 1 $a*Number theory$fZenon Ivanovich Borevich, Igor Rostislavovich Shafarevich$gtranslated by Newcomb Greenleaf 210 $aNew York$cAcademic$d1966 215 $aX, 435 p.$d24 cm. 606 $a11-XX$xNumber theory [MSC 2020]$2MF$3SUNC019688 620 $aUS$dNew York$3SUNL000011 700 1$aBorevic$b, Zenon I.$3SUNV024248$0728370 701 1$aShafarevich$b, Igor R.$3SUNV020243$0730610 712 $aAcademic$3SUNV000123$4650 790 1$aBorevic, Zenon Ivanovich$zBorevic, Zenon I.$3SUNV062126 790 1$aShafarevich, Igor Rostislavovich$zShafarevich, Igor R.$3SUNV062485 790 1$aShafarevich, I. R.$zShafarevich, Igor R.$3SUNV062486 801 $aIT$bSOL$c20200727$gRICA 856 4 $uhttp://books.google.it/books?id=njgVUjjO-EAC&printsec=frontcover&dq=012117851x&hl=it&ei=thdRTauyEYzKswbJ97znBg&sa=X&oi=book_result&ct=result&resnum=1&ved=0CCkQ6AEwAA#v=onepage&q&f=false 912 $aSUN0029352 950 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI MATEMATICA E FISICA$d08PREST 11-XX 0510 $e08 3823 I 20041203 996 $aNumber theory$91431798 997 $aUNICAMPANIA LEADER 05043nam 2201117 a 450 001 9910779676003321 005 20200520144314.0 010 $a0-520-95482-3 024 7 $a10.1525/9780520954823 035 $a(CKB)2550000001038563 035 $a(EBL)1114903 035 $a(OCoLC)825978146 035 $a(SSID)ssj0000820194 035 $a(PQKBManifestationID)11524051 035 $a(PQKBTitleCode)TC0000820194 035 $a(PQKBWorkID)10857651 035 $a(PQKB)10280653 035 $a(StDuBDS)EDZ0000173328 035 $a(OCoLC)828736046 035 $a(MdBmJHUP)muse31117 035 $a(DE-B1597)520699 035 $a(OCoLC)1041923831 035 $a(DE-B1597)9780520954823 035 $a(Au-PeEL)EBL1114903 035 $a(CaPaEBR)ebr10648951 035 $a(CaONFJC)MIL428869 035 $a(MiAaPQ)EBC1114903 035 $a(EXLCZ)992550000001038563 100 $a20120730d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe other shore$b[electronic resource] $eessays on writers and writing /$fMichael Jackson 210 $aBerkeley, Calif. $cUniversity of California Press$d2013 215 $a1 online resource (218 p.) 300 $aDescription based upon print version of record. 311 $a0-520-27526-8 311 $a0-520-27524-1 320 $aIncludes bibliographical references. 327 $tFrontmatter -- $tContents -- $tPreface -- $t1.The Other Shore -- $t2. The Red Road -- $t3. Kindred Spirits -- $t4. Writing under the Influence -- $t5. A Typewriter Collecting Dust -- $t6. Writing in Limbo -- $t7. The Magical Power of Words -- $t8. Flights of Fancy -- $t9. Writing Fellowship -- $t10. There Go I -- $t11. Love Letters -- $t12. Writing for Bare Life -- $t13. Writing So As Not to Die -- $t14. Chinese Boxes -- $t15. The Writing on the Wall -- $t16. Writing out of the Blue -- $t17. A Storyteller's Story -- $t18. Writing in the Dark -- $t19. Writing in the Zone -- $t20. Writing, Naturally -- $t21. Writing Workshop -- $t22. The Books in My Life -- $t23. Writing Utopia -- $t24. Writing in Search of Lost Time -- $t25. Writing about Writers -- $t26. Writing in Ruins -- $t27. Writing as a Way of Life -- $tNotes -- $tAcknowledgments 330 $aIn this book, ethnographer and poet Michael Jackson addresses the interplay between modes of writing, modes of understanding, and modes of being in the world. Drawing on literary, anthropological and autobiographical sources, he explores writing as a technics akin to ritual, oral storytelling, magic and meditation, that enables us to reach beyond the limits of everyday life and forge virtual relationships and imagined communities. Although Maurice Blanchot wrote of the impossibility of writing, the passion and paradox of literature lies in its attempt to achieve the impossible--a leap of faith that calls to mind the mystic's dark night of the soul, unrequited love, nostalgic or utopian longing, and the ethnographer's attempt to know the world from the standpoint of others, to put himself or herself in their place. Every writer, whether of ethnography, poetry, or fiction, imagines that his or her own experiences echo the experiences of others, and that despite the need for isolation and silence his or her work consummates a relationship with them. 606 $aAmerican fiction$y20th century$xHistory and criticism 606 $aEnglish literature$xHistory and criticism 606 $aEnglish language$xWriting 606 $aAuthorship 610 $aanthropology. 610 $aart. 610 $aartists. 610 $aauthors. 610 $adark night of the soul. 610 $aempathy. 610 $aengaging. 610 $aethnographer. 610 $aethnography. 610 $afiction writers. 610 $aimagination. 610 $aimpossibility of writing. 610 $aleap of faith. 610 $alife experiences. 610 $aliterary criticism. 610 $aliterary. 610 $aliterature. 610 $alively. 610 $alonging. 610 $amagic. 610 $ameditation. 610 $amodes of understanding. 610 $amodes of writing. 610 $amodes. 610 $anostalgia. 610 $aoral storytelling. 610 $apoet. 610 $apoetry. 610 $arelationship. 610 $aritual. 610 $asocial science. 610 $astudents and teachers. 610 $aunrequited love. 610 $autopia. 610 $aworldliness. 610 $awriting. 615 0$aAmerican fiction$xHistory and criticism. 615 0$aEnglish literature$xHistory and criticism. 615 0$aEnglish language$xWriting. 615 0$aAuthorship. 676 $a813/.509 700 $aJackson$b Michael$f1940-$0960686 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910779676003321 996 $aThe other shore$93772207 997 $aUNINA