LEADER 03335nam 2200565Ia 450 001 9910779661403321 005 20230919215257.0 010 $a1-299-48358-5 010 $a0-300-15431-3 024 7 $a10.12987/9780300154313 035 $a(CKB)2550000001020456 035 $a(EBL)3421204 035 $a(SSID)ssj0001178091 035 $a(PQKBManifestationID)11667875 035 $a(PQKBTitleCode)TC0001178091 035 $a(PQKBWorkID)11167815 035 $a(PQKB)11515237 035 $a(StDuBDS)EDZ0000165600 035 $a(MiAaPQ)EBC3421204 035 $a(DE-B1597)485403 035 $a(OCoLC)847002225 035 $a(DE-B1597)9780300154313 035 $a(EXLCZ)992550000001020456 100 $a20130502d2013 uy 0 101 0 $aeng 135 $aur|nu---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aForbidden music$b[electronic resource] $ethe jewish composers banned by the nazis /$fMichael Haas 210 $aNew Haven, CT $cYale University Press$dc2013 215 $a1 online resource (371 p.) 300 $aDescription based upon print version of record. 311 0 $a0-300-15430-5 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tPreface --$tIntroduction --$tCHAPTER 1. German and Jewish --$tCHAPTER 2. Wagner and German Jewish Composers in the Nineteenth Century --$tCHAPTER 3. An Age of Liberalism, Brahms and the Chronicler Hanslick --$tCHAPTER 4.Mahler and His Chronicler Julius Korngold --$tCHAPTER 5. The Jugendstil School of Schoenberg, Schreker, Zemlinsky and Weigl --$tCHAPTER 6. A Musical Migration --$tCHAPTER 7. Hey! We're Alive! --$tCHAPTER 8. A Question of Musical Potency The Anti-Romantics --$tCHAPTER 9 .The Resolute Romantics --$tCHAPTER 10. Between Hell and Purgatory --$tCHAPTER 11. Exile and Worse --$tCHAPTER 12. Restitution --$tEpilogue --$tNotes --$tBibliography --$tIndex 330 $aWith National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany's historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. 606 $aJewish composers 606 $aComposers$zGermany 615 0$aJewish composers. 615 0$aComposers 676 $a780.89924 700 $aHaas$b Michael$f1954-$01481517 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910779661403321 996 $aForbidden music$93698520 997 $aUNINA