LEADER 03497nam 2200637Ia 450 001 9910779567703321 005 20230803020522.0 010 $a1-299-46419-X 010 $a0-8203-4576-8 035 $a(CKB)2550000001019331 035 $a(EBL)1222484 035 $a(SSID)ssj0000860368 035 $a(PQKBManifestationID)11470267 035 $a(PQKBTitleCode)TC0000860368 035 $a(PQKBWorkID)10896369 035 $a(PQKB)10053830 035 $a(MiAaPQ)EBC1222484 035 $a(OCoLC)839305409 035 $a(MdBmJHUP)muse25495 035 $a(Au-PeEL)EBL1222484 035 $a(CaPaEBR)ebr10684510 035 $a(CaONFJC)MIL477669 035 $a(EXLCZ)992550000001019331 100 $a20121126d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aImagic moments $eIndigenous North American film /$fLee Schweninger 210 $aAthens $cUniversity of Georgia Press$dc2013 215 $a1 online resource (xv, 247 pages) $cillustrations 300 $aDescription based upon print version of record. 311 $a0-8203-4514-8 320 $aIncludes bibliographical references, filmography and index. 327 $aIntroduction: where to concentrate -- He was still the chief: Masayesva's imagining Indians -- Into the city: ordered freedom in The exiles -- The native presence in film: House made of dawn -- A concordance of narrative voices: Harold, trickster, and Harold of Orange -- I don't do portraits: Medicine River and the art of photography -- Keep your pony out of my garden: Powwow highway and "being Cheyenne" -- Feeling extra magical: the art of disappearing in Smoke signals -- Making his own music: death and life in The business of fancydancing -- Sharing the kitchen: Naturally native and women in American Indian film -- In the form of a spider: the interplay of narrative fiction and documentary in Skins -- The stories pour out: taking control in The doe boy -- Telling our own stories: seeking identity in Tkaronto -- People come around in circles: Harjo's Four sheets to the wind -- Epilogue: Barking water and beyond. 330 $aIn Indigenous North American film Native Americans tell their own stories and thereby challenge a range of political and historical contradictions, including egregious misrepresentations by Hollywood. Although Indians in film have long been studied, especially as characters in Hollywood westerns, Indian film itself has received relatively little scholarly attention. In Imagic Moments Lee Schweninger offers a much-needed corrective, examining films in which the major inspiration, the source material, and the acting are essentially Native. Schweninger looks at a selection of mostly narrative fic 606 $aIndians in motion pictures 606 $aIndians in the motion picture industry$zCanada 606 $aIndians in the motion picture industry$zUnited States 606 $aMotion pictures$zCanada 606 $aMotion pictures$zUnited States 615 0$aIndians in motion pictures. 615 0$aIndians in the motion picture industry 615 0$aIndians in the motion picture industry 615 0$aMotion pictures 615 0$aMotion pictures 676 $a791.43/652997 700 $aSchweninger$b Lee$01083839 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910779567703321 996 $aImagic moments$93737314 997 $aUNINA