LEADER 02887oam 2200637I 450 001 9910778580403321 005 20230725041154.0 010 $a1-135-23850-2 010 $a1-135-23851-0 010 $a1-282-37716-7 010 $a9786612377167 010 $a0-203-86661-4 024 7 $a10.4324/9780203866610 035 $a(CKB)1000000000804172 035 $a(EBL)460305 035 $a(OCoLC)501056183 035 $a(SSID)ssj0000336397 035 $a(PQKBManifestationID)11257834 035 $a(PQKBTitleCode)TC0000336397 035 $a(PQKBWorkID)10281907 035 $a(PQKB)11774901 035 $a(MiAaPQ)EBC460305 035 $a(Au-PeEL)EBL460305 035 $a(CaPaEBR)ebr10349652 035 $a(CaONFJC)MIL237716 035 $a(OCoLC)501056183 035 $a(EXLCZ)991000000000804172 100 $a20180706d2010 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 12$aA cultural history of finance /$fIrene Finel-Honigman 210 1$aAbingdon, Oxon ;$aNew York, N.Y. :$cRoutledge,$d2010. 215 $a1 online resource (353 p.) 225 0 $aRoutledge explorations in economic history A cultural history of finance 300 $aDescription based upon print version of record. 311 $a0-415-74517-9 311 $a0-415-77102-1 320 $aIncludes bibliographical references and index. 327 $aBook Cover; Title; Copyright; Contents; Preface; Acknowledgments; Introduction; 1 Dead gages, naked debentures; 2 Myths, stigmas and morality of "dirty sexy money"; 3 Metamorphosis: Materialism to capitalism; 4 World bankers: Ambivalences of modernity; 5 Capitalism is dead, long live capitalism?; 6 American financial culture: Myths and models of American capitalism; Conclusion; Bibliography; Index 330 $aThe world of finance is again undergoing crisis and transformation. This book provides a new perspective on finance through the prism of popular and formal culture and examines fascination and repulsion toward money, the role of governments and individuals in financial crises and how the Crisis of 2008, like others since 1720, repeat the same patterns of enthusiasm, greed, culpability, revulsion, reform and recovery. The book explores the political and socio-economic factors which determine fallibility and resilience in financial cultures, periods of crisis, transition and recovery b 410 0$aRoutledge explorations in economic history ;$v46. 606 $aFinance$xHistory 606 $aCapitalism$xHistory 615 0$aFinance$xHistory. 615 0$aCapitalism$xHistory. 676 $a332.09 700 $aFinel-Honigman$b Irene.$01546927 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910778580403321 996 $aA cultural history of finance$93802814 997 $aUNINA LEADER 03815oam 2200625Ka 450 001 9910779558903321 005 20190503073413.0 010 $a0-262-31377-4 010 $a1-299-47013-0 010 $a0-262-31376-6 035 $a(CKB)2550000001019615 035 $a(SSID)ssj0000859963 035 $a(PQKBManifestationID)12430527 035 $a(PQKBTitleCode)TC0000859963 035 $a(PQKBWorkID)10883070 035 $a(PQKB)10572032 035 $a(MiAaPQ)EBC3339605 035 $a(OCoLC)839557275$z(OCoLC)988533090$z(OCoLC)994896325$z(OCoLC)1030905556$z(OCoLC)1033542882$z(OCoLC)1035708324$z(OCoLC)1069545762 035 $a(OCoLC-P)839557275 035 $a(MaCbMITP)9292 035 $a(Au-PeEL)EBL3339605 035 $a(CaPaEBR)ebr10686949 035 $a(CaONFJC)MIL478263 035 $a(OCoLC)839557275 035 $a(EXLCZ)992550000001019615 100 $a20130416d2013 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe aesthetics of imagination in design /$fMads Nygaard Folkmann 210 $aCambridge, MA $cMIT Press$d©2013 215 $axvii, 270 p. $cill 225 1 $aDesign thinking, design theory 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-262-01906-X 320 $aIncludes bibliographical references and index. 327 $aDesign and possibility -- Aesthetics -- imagination -- A phenomenology of imagination in design -- Imagination and design epistemology -- Schematization -- The imaginary in design -- Symbolism -- Transfiguration. 330 $aA theoretically informed investigation that relates the philosophies of aesthetics and imagination to understanding design practice.In The Aesthetics of Imagination in Design, Mads Folkmann investigates design in both material and immaterial terms. 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Taking a largely phenomenological perspective that reflects both continental and American pragmatist approaches, Folkmann also makes use of discourses that range from practice-focused accounts of design methodology to cultural studies. Throughout, he offers concrete examples to illustrate theoretical points. 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