LEADER 04085nam 2200961 a 450 001 9910779540303321 005 20230617014914.0 010 $a0-520-93769-4 024 7 $a10.1525/9780520937697 035 $a(CKB)2550000001039342 035 $a(EBL)1982560 035 $a(SSID)ssj0000870604 035 $a(PQKBManifestationID)11463557 035 $a(PQKBTitleCode)TC0000870604 035 $a(PQKBWorkID)10819223 035 $a(PQKB)10922620 035 $a(MiAaPQ)EBC1982560 035 $a(DE-B1597)521033 035 $a(OCoLC)1114840006 035 $a(DE-B1597)9780520937697 035 $a(Au-PeEL)EBL1982560 035 $a(CaPaEBR)ebr10676223 035 $a(OCoLC)905985099 035 $a(EXLCZ)992550000001039342 100 $a20030805d2004 uy p 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe seventy prepositions$b[electronic resource] $epoems /$fCarol Snow 210 $aBerkeley $cUniversity of California Press$d2004 215 $a1 online resource (122 p.) 225 1 $aNew California poetry 300 $aDescription based upon print version of record. 311 $a0-520-24081-2 311 $a0-520-24077-4 320 $aIncludes bibliographical references (p. 97-105). 327 $tFrontmatter -- $tCONTENTS -- $tThe Seventy Prepositions -- $tVOCABULARY SENTENCES -- $tVANTAGE -- $tNOTES -- $tACKNOWLEDGMENTS -- $tACKNOWLEDGMENTS OF PERMISSIONS 330 $aCarol Snow's award-winning poetry has been admired and celebrated as "work of difficult beauty" (Robert Hass), "ever restless, ever re-framing the frame of reference" (Boston Review), teaching us "how brutally self-transforming a verbal action can be when undertaken in good faith" (Jorie Graham). In this, her third volume, Snow continues to mine the language to its most mysterious depths and to explore the possibilities its meanings and mechanics hold for definition, transformation, and emotional truth. These poems place us before, and in, language--as we stand before, and in, the world. The Seventy Prepositions comprises three suites of poems. The first, "Vocabulary Sentences," reflects on words and reality by taking as a formal motif the sort of sentences used to test vocabulary skills in elementary school. The poems of the second suite, "Vantage," gather loosely around questions of perspective and perception. The closing suite finds its inspiration in the Japanese dry-landscape gardens known as karesansui, such as the famous rock garden at Ryoan-ji Temple in Kyoto. Here the poet approaches composition as one faces a "miniature Zen garden," choosing and positioning words rather than stones, formally, precisely, evocatively. 410 0$aNew California poetry. 606 $aRock gardens, Japanese$vPoetry 610 $aamerican poets. 610 $aaward winning poetry. 610 $abeauty. 610 $abook club reads. 610 $achange in perspective. 610 $acontemporary poetry. 610 $adefinitions. 610 $aemotional truth. 610 $aformal. 610 $ahuman perception. 610 $ajapanese gardens. 610 $akaresansui. 610 $akyoto. 610 $alinguistics. 610 $alit students. 610 $aliterary critics. 610 $ameaning making. 610 $amechanics of poetry. 610 $amodern poetry. 610 $apoems. 610 $apoetry collection. 610 $apoetry. 610 $apower of language. 610 $aprecise language. 610 $arock gardens. 610 $aryoan ji temple. 610 $atransformation. 610 $averbal actions. 610 $avocabulary. 610 $awords and language. 610 $azen garden. 615 0$aRock gardens, Japanese 676 $a811/.54 700 $aSnow$b Carol$f1949-$01493880 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910779540303321 996 $aThe seventy prepositions$93717117 997 $aUNINA