LEADER 03360nam 22006493u 450 001 9910779538703321 005 20230908172705.0 010 $a0-8166-8884-2 035 $a(CKB)2550000001039485 035 $a(EBL)1161008 035 $a(SSID)ssj0000860576 035 $a(PQKBManifestationID)11519458 035 $a(PQKBTitleCode)TC0000860576 035 $a(PQKBWorkID)10917074 035 $a(PQKB)10199496 035 $a(MiAaPQ)EBC1161008 035 $a(EXLCZ)992550000001039485 100 $a20130418d2013|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aOn Writing with Photography$b[electronic resource] 210 $aMinnesota $cUniversity of Minnesota Press$d2013 215 $a1 online resource (365 p.) 300 $aDescription based upon print version of record. 311 $a0-8166-7729-8 327 $aCover; Contents; Acknowledgments; Introduction; Chapter 1: From the Birth of Photography to the Death of the Author; Chapter 2: Picturing the Great Unknown: John Wesley Powell and the Divergent Paths of Art and Science in the Representation of the Colorado River and Utah Canyonlands; Chapter 3: "Watch How Dem Touris' Like Fe Look": Tourist Photography and Claude McKay's Jamaica; Chapter 4: Captured Things: Man Ray's Object Photography; Chapter 5: Photography's Linguistic Turn: On Werner Graeff's Here Comes the New Photographer! 327 $aChapter 6: The Power of What Is Not There: James Agee's Let Us Now Praise Famous MenChapter 7: Playing Doll; Chapter 8: Situating Images: Photography, Writing, and Cinema in the Work of Guy Debord; Chapter 9: The Generation of Postmemory; Chapter 10: Picturing the Specter of History: Zhang Ailing's Visual Practice; Chapter 11: Sphinxes without Secrets: W. G. Sebald's Albums and the Aesthetics of Photographic Exchange; Chapter 12: Nothing to Say: The War on Terror and the Mad Photography of Roland Barthes; Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W 327 $aXY; Z 330 $aOn Writing with Photography explores what happens to texts-and images-when they are brought together, addressing a wide range of genres and media, including graphic novels, children's books, photo-essays, films, diaries, newspapers, and art installations. Together, these essays help explain how writers and photographers-past and present-have served as powerful creative resources for each other. 606 $aLiterature and photography 606 $aLiterature 606 $aPhotography in literature 606 $aPhotography 606 $aLiterature and photography 606 $aLanguages & Literatures$2HILCC 606 $aLiterature - General$2HILCC 615 4$aLiterature and photography. 615 4$aLiterature. 615 4$aPhotography in literature. 615 4$aPhotography. 615 0$aLiterature and photography 615 7$aLanguages & Literatures 615 7$aLiterature - General 676 $a809.9/3357 676 $a809.93357 700 $aWeissberg$b Liliane$01461968 701 $aBeckman$b Karen$01461969 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910779538703321 996 $aOn Writing with Photography$93670818 997 $aUNINA LEADER 03053nam 22009012u 450 001 9911019822303321 005 20230721025849.0 010 $a9786610361908 010 $a9781280361906 010 $a1280361905 010 $a9780470703786 010 $a0470703784 010 $a9780470755648 010 $a0470755644 010 $a9781405141987 010 $a1405141980 035 $a(CKB)1000000000351824 035 $a(EBL)255297 035 $a(OCoLC)281329834 035 $a(SSID)ssj0000273503 035 $a(PQKBManifestationID)11221459 035 $a(PQKBTitleCode)TC0000273503 035 $a(PQKBWorkID)10314380 035 $a(PQKB)11510502 035 $a(FR-PaCSA)10104007 035 $a(FRCYB10104007)10104007 035 $a(Perlego)2789451 035 $a(EXLCZ)991000000000351824 100 $a20100913d2007|||| u|| | 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aWomen, Family, and Work 210 $aOxford $cJohn Wiley & Sons, Ltd.$d2007 215 $a1 online resource (254 p.) 300 $aDescription based upon print version of record. 311 08$a9780631225768 311 08$a0631225765 327 $aWOMEN, FAMILY, AND WORK; Contents; Contributors; Preface; Part I Setting the Stage; Part II The Economics of Marriage; Part III The Division of Work in the Household; Part IV The Economics of Childbearing and Childcaring; Part V The Gender Gap in Earnings; Index; 330 $aWomen, Family, and Work is a collection of original essays on topics related to the economics of gender and the family. 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