LEADER 04560nam 2200589Ia 450 001 9910779514903321 005 20230124183956.0 010 $a1-60876-676-4 035 $a(CKB)2550000001041198 035 $a(EBL)3018230 035 $a(SSID)ssj0000835059 035 $a(PQKBManifestationID)11457444 035 $a(PQKBTitleCode)TC0000835059 035 $a(PQKBWorkID)10982314 035 $a(PQKB)11691745 035 $a(MiAaPQ)EBC3018230 035 $a(Au-PeEL)EBL3018230 035 $a(CaPaEBR)ebr10659152 035 $a(OCoLC)923657993 035 $a(EXLCZ)992550000001041198 100 $a20080613d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aChaos and complexity$b[electronic resource] $enew research /$fFranco F. Orsucci and Nicoletta Sala, editors 210 $aNew York $cNova Science Publishers$dc2009 215 $a1 online resource (482 p.) 300 $aDescription based upon print version of record. 311 $a1-60456-841-0 320 $aIncludes bibliographical references and index. 327 $a""Chaos and Complexity: New Research""; ""Contents""; ""Preface""; ""Complexity and Chaos Theory in Art""; ""References""; ""Pollock, Mondrian and Nature: Recent Scientific Investigations""; ""Abstract""; ""Introduction""; ""1. Pollocka???s Dripped Complexity""; ""2. Fractal Aesthetics""; ""3. Mondriana???s Simplicity""; ""4. Discussion""; ""Acknowledgments""; ""References""; ""Visual Semantic Ambiguity in Art""; ""Abstract""; ""Non-Linear Models Perception of Ambiguous Patterns""; ""Visual Ambiguity in Art""; ""Semantic Ambiguity of Visual Scenes"" 327 $a""Semantic Ambiguity in Plot Development and in Comic Situations""""Mixed Ambiguity""; ""Conclusion""; ""References""; ""Does the Complexity of Space Lie in the Cosmos or in Chaos?""; ""Crystal and Flame/Form and Process: The Morphology of the Amorphous""; ""Abstract""; ""Introduction""; ""Background""; ""Works-in-Process""; ""Conclusion""; ""References""; ""Bibliography""; ""Complexity in the Mesoamerican Artistic and Architectural Works""; ""Abstract""; ""Introduction""; ""Material and Methods""; ""Information Dimension""; ""Mass Dimension""; ""Results and Discussion""; ""Conclusions"" 327 $a""References""""New Paradigm Architecture""; ""Generation of Textures and Geometric Pseudo-Urban Models with the Aid of IFS""; ""Abstract""; ""1. Introduction""; ""2. From IFS to Urban Textures and Geometric Models""; ""3. From Generated Scenes to Real World""; ""4. Conclusions and Future Works""; ""References""; ""Psuedo-Urban Automatic Pattern Generation""; ""Abstract ""; ""1. Introduction ""; ""2. Research Task Context ""; ""3. Applications ""; ""4. Conclusion ""; ""References ""; ""Tonal Structure of Music and Controlling Chaos in the Brain""; ""Abstract""; ""1. Introduction"" 327 $a""2. Control of Chaos in the Brain by Sinusoidal or Periodic Pulsed Force""""3. Model of Music Tonality""; ""4. Stable States of Tonalities and Resonance Action""; ""References""; ""Collecting Patterns That Work for Everything""; ""Abstract""; ""What Do We See and How Are We Telling This Story? ""; ""Machines ""; ""Presentation and Representation ""; ""Machine Aesthetics ""; ""Redundant and Similar Information ""; ""Conclusions ""; ""References ""; ""Stability Conditions in Contextual Emergence""; ""Abstract""; ""1.Introduction""; ""2.Reduction and Emergence"" 327 $a""3.Contextual Topologies and Asymptotic Expansions""""4.Thermodynamic Equilibrium and Temperature""; ""5.Stability Principles for Contextual Emergence""; ""6.Summary""; ""Acknowledgments""; ""References""; ""Contextual Emergence of Mental States from Neurodynamics""; ""Abstract""; ""1.Interlevel Relations""; ""2.Structural Stability in Symbolic Dynamics""; ""3.Contextual Emergence of Mental States from Neural States""; ""4.Compatibility of Psychological Descriptions""; ""5.Summary""; ""Acknowledgments""; ""References"" 327 $a""Phase Coupling Supports Associative Visual Processing: Physiology and Related Models"" 606 $aChaotic behavior in systems 606 $aScience 615 0$aChaotic behavior in systems. 615 0$aScience. 676 $a003/.857 701 $aOrsucci$b Franco$01497209 701 $aSala$b Nicoletta$0286812 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910779514903321 996 $aChaos and complexity$93846100 997 $aUNINA