LEADER 05472nam 2200877 a 450 001 9910779476603321 005 20200520144314.0 010 $a1-283-89892-6 010 $a0-8122-0836-6 024 7 $a10.9783/9780812208368 035 $a(CKB)2550000000707693 035 $a(OCoLC)847550274 035 $a(CaPaEBR)ebrary10642188 035 $a(SSID)ssj0001339514 035 $a(PQKBManifestationID)11762102 035 $a(PQKBTitleCode)TC0001339514 035 $a(PQKBWorkID)11350374 035 $a(PQKB)10362658 035 $a(SSID)ssj0000811232 035 $a(PQKBManifestationID)12381621 035 $a(PQKBTitleCode)TC0000811232 035 $a(PQKBWorkID)10846918 035 $a(PQKB)11736306 035 $a(MdBmJHUP)muse24390 035 $a(DE-B1597)449608 035 $a(OCoLC)1013948924 035 $a(OCoLC)1037978999 035 $a(OCoLC)1041991771 035 $a(OCoLC)1046607561 035 $a(OCoLC)1047006101 035 $a(OCoLC)1049644924 035 $a(OCoLC)1054881867 035 $a(OCoLC)979628396 035 $a(DE-B1597)9780812208368 035 $a(Au-PeEL)EBL3441853 035 $a(CaPaEBR)ebr10642188 035 $a(CaONFJC)MIL421142 035 $a(OCoLC)827455664 035 $a(MiAaPQ)EBC3441853 035 $a(EXLCZ)992550000000707693 100 $a20100602d2011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aJudaism and Christian art$b[electronic resource] $eaesthetic anxieties from the catacombs to colonialism /$fedited by Herbert L. Kessler and David Nirenberg 210 $aPhiladelphia $cUniversity of Pennsylvania Press$dc2011 215 $a1 online resource (456 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8122-4285-8 311 $a0-8122-2253-9 320 $aIncludes bibliographical references and index. 327 $t Frontmatter -- $tContents -- $tIllustrations -- $tIntroduction / $rNirenberg, David -- $tChapter 1. ''Pharaoh's Army Got Drownded'': Some Reflections on Jewish and Roman Genealogies in Early Christian Art / $rElsner, Ja? -- $tChapter 2. Unfeigned Witness: Jews, Matter, and Vision in Twelfth-Century Christian Art / $rLipton, Sara -- $tChapter 3. Shaded with Dust: Jewish Eyes on Christian Art / $rKessler, Herbert L. -- $tChapter 4. Iudeus sacer: Life, Law, and Identity in the ''State of Exception'' Called ''Marian Miracle'' / $rPrado-Vilar, Francisco -- $tChapter 5. Abraham Circumcises Himself: A Scene at the Endgame of Jewish Utility to Christian Art / $rKupfer, Marcia -- $tChapter 6. Frau Venus, the Eucharist, and the Jews of Landshut / $rTimmermann, Achim -- $tChapter 7. Jewish Carnality, Christian Guilt, and Eucharistic Peril in the Rotterdam-Berlin Altarpiece of the Holy Sacrament -- $tChapter 8. The Ghetto and the Gaze in Early Modern Venice / $rKatz, Dana E. -- $tChapter 9. Through a Glass Darkly: Paths to Salvation in Spanish Painting at the Outset of the Inquisition / $rPereda, Felipe -- $tChapter 10. Renaissance Naturalism and the Jewish Bible: Ferrara, Brescia, Bergamo, 1520-1540 / $rCampbell, Stephen J. -- $tChapter 11. Poussin's Useless Treasures / $rNeer, Richard -- $tChapter 12. Eugène Delacroix's Jewish Wedding and the Medium of Painting / $rUbl, Ralph -- $tChapter 13. The Judaism of Christian Art -- $tContributors -- $tIndex -- $tAcknowledgments 330 $aChristian cultures across the centuries have invoked Judaism in order to debate, represent, and contain the dangers presented by the sensual nature of art. By engaging Judaism, both real and imagined, they explored and expanded the perils and possibilities for Christian representation of the material world.The thirteen essays in Judaism and Christian Art reveal that Christian art has always defined itself through the figures of Judaism that it produces. From its beginnings, Christianity confronted a host of questions about visual representation. Should Christians make art, or does attention to the beautiful works of human hands constitute a misplaced emphasis on the things of this world or, worse, a form of idolatry ("Thou shalt make no graven image")? And if art is allowed, upon what styles, motifs, and symbols should it draw? Christian artists, theologians, and philosophers answered these questions and many others by thinking about and representing the relationship of Christianity to Judaism. This volume is the first dedicated to the long history, from the catacombs to colonialism but with special emphasis on the Middle Ages and the Renaissance, of the ways in which Christian art deployed cohorts of "Jews"-more figurative than real-in order to conquer, defend, and explore its own territory. 606 $aChristian art and symbolism$zEurope 606 $aJudaism in art 606 $aArt, European$xThemes, motives 610 $aArchitecture. 610 $aFine Art. 610 $aGarden History. 610 $aJewish Studies. 610 $aReligion. 615 0$aChristian art and symbolism 615 0$aJudaism in art. 615 0$aArt, European$xThemes, motives. 676 $a704.9/482 701 $aKessler$b Herbert L.$f1941-$0183746 701 $aNirenberg$b David$f1964-$0140650 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910779476603321 996 $aJudaism and Christian art$93712111 997 $aUNINA