LEADER 05119oam 2200697I 450 001 9910779454803321 005 20230802005642.0 010 $a1-135-72735-X 010 $a0-203-72124-1 010 $a1-283-87202-1 010 $a1-135-72728-7 024 7 $a10.4324/9780203721247 035 $a(CKB)2550000000709697 035 $a(EBL)1097864 035 $a(OCoLC)822025268 035 $a(SSID)ssj0000783592 035 $a(PQKBManifestationID)12344449 035 $a(PQKBTitleCode)TC0000783592 035 $a(PQKBWorkID)10760241 035 $a(PQKB)11203574 035 $a(MiAaPQ)EBC1097864 035 $a(Au-PeEL)EBL1097864 035 $a(CaPaEBR)ebr10635110 035 $a(CaONFJC)MIL418452 035 $a(OCoLC)822025069 035 $a(OCoLC)967536512 035 $a(FINmELB)ELB135425 035 $a(EXLCZ)992550000000709697 100 $a20180706d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aJung on art $ethe autonomy of the creative drive /$fTjeu van den Berk 205 $a1st ed. 210 1$aHove, East Sussex :$cRoutledge,$d2012. 215 $a1 online resource (177 p.) 300 $aOriginally published in Dutch as Eigenzinnig kunstzinnig. Meinema, 2009. 311 $a0-415-61028-1 311 $a0-415-61027-3 320 $aIncludes bibliographical references and index. 327 $aCover; Jung on Art: The Autonomy of the Creative Drive; Copyright; Contents; Plates; Preface; A psychology of art; Outline of this book; Some demarcations of the theme; Autonomy of art; Final remarks and acknowledgements; Chapter 1 Art originates from 'hidden memories'; Jung's discovery of the unconscious via cryptomnesia; Implications of cryptomnesia for art; Is the 'insane' mind a source of creativity?; The collective unconscious and cryptomnesia; Chapter 2 Art, a product of an 'autonomous complex'; A difficult start to a career; A major discovery: The complex; Comparing Jung and Freud 327 $aSpielrein and JungThe 'art complex' has animal roots; Not repression but transformation of the drive; Art, an autonomous drive; Chapter 3 Art is rooted in participation mystique; Empathy and abstraction; Worringer's theory of art; Participation mystique; The five phases of the individuation process; Art and participation mystique; Chapter 4 Art reveals itself in symbols; Fantasy thinking; Symbols and signs; Differences between Freud and Jung; The collective unconscious and its archetypal trajectories; Nature and culture; The symbol forms the transition between nature and culture 327 $aBut what art is still remains the questionChapter 5 Art and aesthetics arenot identical; The quality of sensory sensation; "Beauty does not indeed lie in things"; Jung's perspective on 'aesthetics'; Moltzer and the birth of intuition; The aesthetic view, extremely formulated; Nietzsche's aesthetic view of life; Jung and Nietzsche; Chapter 6 Jung's ideas about himself as an artist; Preface; The Red Book; "No, it is not art! On the contrary, it is nature"; The stone; The Stone Speaks; The stone is an artistic, symbolic reality; Chapter 7 A psychology of art; Extraversion and introversion 327 $a'A high, standing clock made of black varnished wood'The artist does not have a personal message; The artist is the mouthpiece of his epoch; Materia and forma; Both form and content originate from unconscious drives; The primacy of the work of art; Chapter 8 Jung's perspective on "modern art"; Preface; Jung's dislike of "modern art"; "Modern art" is not schizophrenic but schizoid; Product of the unconscious Zeitgeist; Dissolution of objective reality; A journey through Hades, the Nekyia; Where Jung's questions begin; Jung remains headstrong; Chapter 9 Jung analyses a Surrealist painting 327 $aA remarkable acquisition"Something is seen, but one doesn't know what"; A Rorschach test; Yves Tanguy; Amplification; The "subjective factor": Forms and numbers; Symbols of unity in Tanguy's painting; Epilogue; Synchronicity; Art as a synchronistic phenomenon; References; Index 330 $aIn this book, Tjeu van den Berk examines C. G. Jung's personal perspective on art and how his work intensely engages with this theme. It analyses Jung's profound reflections on artistic considerations such as how we experience art, the specific qualities in the perception of beauty, the nature of the creative process and the aesthetic attitude.Jung on Art considers Jung's feelings about art simply being 'art' rather than reducing it to a moral, political, religious or psychological product. It also discusses Jung's notion that the artist is only a breeding ground for a piece 606 $aCreative ability 606 $aPsychology and art 615 0$aCreative ability. 615 0$aPsychology and art. 676 $a701/.15 700 $aVan den Berk$b Tjeu.$01496391 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910779454803321 996 $aJung on art$93721021 997 $aUNINA