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100   $a20051206d2006      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aBlack on Black$b[electronic resource] $eurban youth films and the multicultural audience /$fCeleste A. Fisher
210   $aLanham, Md. $cScarecrow Press$d2006
215   $a1 online resource (152 p.)
300   $aDescription based upon print version of record.
311   $a0-8108-5722-7 
320   $aIncludes bibliographical references (p. 111-116) and index.
327   $aCover; Title Page; Copyright Page; Dedication Page; Table of Contents; Acknowledgments; Introduction; Chapter 1: Readers and Response; Chapter 2: ""America's Worst Nightmare"": Reading Menace II Society; Chapter 3: ""Money, Power, Respect"": Reading Juice; Chapter 4: ""Increase the Peace"": Reading Boyz n the Hood; Chapter 5: Negotiated Meanings; Chapter 6: Epilogue; Appendix A: Course Films; Appendix B: Additional Films; Appendix C: Background Questionnaire; Bibliography; Index; About the Author
330   $aImages of violent black masculinity are not new in American culture, but in the late 1980s and early '90s, the social and economic climate in the country contributed to an unprecedented number of films about ghetto life. And while Hollywood reaped financial gains from these depictions, the rest of the country saw an ever widening 'opportunity gap' between marginalized groups and mainstream society, as well as an increase in juvenile violence. These events added to the existing discomfort of the viewing public with representations of young black males living in urban ghettos.
606   $aAfrican Americans in motion pictures
606   $aYouth in motion pictures
615  0$aAfrican Americans in motion pictures.
615  0$aYouth in motion pictures.
676   $a791.43/652996073
700   $aFisher$b Celeste A$01578700
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910779421703321
996   $aBlack on Black$93858301
997   $aUNINA