LEADER 03810nam 22007332 450 001 9910779410203321 005 20151005020623.0 010 $a1-107-32688-5 010 $a1-107-23674-6 010 $a1-107-33664-3 010 $a1-107-33256-7 010 $a1-139-20884-5 010 $a1-107-33332-6 010 $a1-107-33498-5 010 $a1-299-40325-5 010 $a1-107-33581-7 035 $a(CKB)2550000001018034 035 $a(EBL)1139596 035 $a(OCoLC)833768663 035 $a(SSID)ssj0000856703 035 $a(PQKBManifestationID)11437119 035 $a(PQKBTitleCode)TC0000856703 035 $a(PQKBWorkID)10817798 035 $a(PQKB)10667646 035 $a(UkCbUP)CR9781139208840 035 $a(MiAaPQ)EBC1139596 035 $a(Au-PeEL)EBL1139596 035 $a(CaPaEBR)ebr10679163 035 $a(CaONFJC)MIL471575 035 $a(EXLCZ)992550000001018034 100 $a20111209d2013|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aRomantic women writers, revolution and prophecy $erebellious daughters, 1786-1826 /$fOrianne Smith, University of Maryland, Baltimore County$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2013. 215 $a1 online resource (x, 278 pages) $cdigital, PDF file(s) 225 1 $aCambridge studies in Romanticism ;$v98 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a1-107-56673-8 311 $a1-107-02706-3 320 $aIncludes bibliographical references and index. 327 $aVerbal magic: an etymology of female enthusiasm -- The second coming of Hester Lynch Piozzi -- I, being the representative of liberty: Helen Maria Williams and the utopian performative -- The passion of the gothic heroine: Ann Radcliffe and the origins of narrative -- Anna Barbauld as enlightenment prophet -- Prophesying tragedy: Mary Shelley and the end of Romanticism. 330 $aConvinced that the end of the world was at hand, many Romantic women writers assumed the role of the female prophet to sound the alarm before the final curtain fell. Orianne Smith argues that their prophecies were performative acts in which the prophet believed herself to be authorized by God to bring about social or religious transformation through her words. Utilizing a wealth of archival material across a wide range of historical documents, including sermons, prophecies, letters and diaries, Orianne Smith explores the work of prominent women writers - from Hester Piozzi to Ann Radcliffe, from Helen Maria Williams to Anna Barbauld and Mary Shelley - through the lens of their prophetic influence. As this book demonstrates, Romantic women writers not only thought in millenarian terms, but they did so in a way that significantly alters our current critical view of the relations between gender, genre, and literary authority in this period. 410 0$aCambridge studies in Romanticism ;$v98. 517 3 $aRomantic Women Writers, Revolution, & Prophecy 606 $aEnglish fiction$xWomen authors$xHistory and criticism 606 $aEnglish fiction$y19th century$xHistory and criticism 606 $aRomanticism$zGreat Britain 606 $aProphecy in literature 615 0$aEnglish fiction$xWomen authors$xHistory and criticism. 615 0$aEnglish fiction$xHistory and criticism. 615 0$aRomanticism 615 0$aProphecy in literature. 676 $a823.009/9287 700 $aSmith$b Orianne$f1963-$0763270 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910779410203321 996 $aRomantic women writers, revolution and prophecy$91548360 997 $aUNINA