LEADER 03926nam 2200757Ia 450 001 9910787521503321 005 20220304205445.0 010 $a0-8122-0376-3 024 7 $a10.9783/9780812203769 035 $a(CKB)2670000000418365 035 $a(EBL)3442244 035 $a(SSID)ssj0001053088 035 $a(PQKBManifestationID)11564387 035 $a(PQKBTitleCode)TC0001053088 035 $a(PQKBWorkID)11113442 035 $a(PQKB)10183921 035 $a(OCoLC)859161731 035 $a(MdBmJHUP)muse29220 035 $a(DE-B1597)449212 035 $a(OCoLC)979753836 035 $a(DE-B1597)9780812203769 035 $a(Au-PeEL)EBL3442244 035 $a(CaPaEBR)ebr10748835 035 $a(MiAaPQ)EBC3442244 035 $a(EXLCZ)992670000000418365 100 $a20020117d2002 uy 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFair exotics$b[electronic resource] $exenophobic subjects in English literature, 1720-1850 /$fRajani Sudan 210 $aPhiladelphia $cUniversity of Pennsylvania Press$dc2002 215 $a1 online resource (208 pages) 225 0 $a[New cultural studies] 300 $aSeries statement on jacket. 311 0 $a0-8122-3656-4 320 $aIncludes bibliographical references (p. [181]-188) and index. 327 $tFront matter --$tContents --$tIntroduction --$t1. Institutionalizing Xenophobia: Johnson's Project --$t2. De Quincey and the Topography of Romantic Desire --$t3. Mothered Identities: Facing the Nation in the Works of Mary Wollstonecraft --$t4. Fair Exotics: Two Case Histories in Frankenstein and Villette --$tAfterword --$tNotes --$tWorks Cited --$tIndex --$tAcknowledgments 330 $aArguing that the major hallmarks of Romantic literature-inwardness, emphasis on subjectivity, the individual authorship of selves and texts-were forged during the Enlightenment, Rajani Sudan traces the connections between literary sensibility and British encounters with those persons, ideas, and territories that lay uneasily beyond the national border. The urge to colonize and discover embraced both an interest in foreign "fair exotics" and a deeply rooted sense of their otherness. Fair Exotics develops a revisionist reading of the period of the British Enlightenment and Romanticism, an age during which England was most aggressively building its empire. By looking at canonical texts, including Defoe's Robinson Crusoe, Johnson's Dictionary, De Quincey's Confessions of an English Opium Eater, and Bronte's Villette, Sudan shows how the imaginative subject is based on a sense of exoticism created by a pervasive fear of what is foreign. Indeed, as Sudan clarifies, xenophobia is the underpinning not only of nationalism and imperialism but of Romantic subjectivity as well. 410 0$aNew Cultural Studies 606 $aEnglish literature$y18th century$xHistory and criticism 606 $aExoticism in literature 606 $aEnglish literature$y19th century$xHistory and criticism 606 $aXenophobia$zGreat Britain$xHistory$y18th century 606 $aXenophobia$zGreat Britain$xHistory$y19th century 606 $aForeign countries in literature 606 $aNoncitizens in literature 610 $aCultural Studies. 610 $aLiterature. 615 0$aEnglish literature$xHistory and criticism. 615 0$aExoticism in literature. 615 0$aEnglish literature$xHistory and criticism. 615 0$aXenophobia$xHistory 615 0$aXenophobia$xHistory 615 0$aForeign countries in literature. 615 0$aNoncitizens in literature. 676 $a820.9/1 700 $aSudan$b Rajani$0687925 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910787521503321 996 $aFair exotics$93697107 997 $aUNINA LEADER 03732oam 2200733Ka 450 001 9910779402803321 005 20190503073413.0 010 $a1-299-44322-2 010 $a0-262-31330-8 035 $a(CKB)2550000001018250 035 $a(EBL)3339598 035 $a(SSID)ssj0000860827 035 $a(PQKBManifestationID)11943767 035 $a(PQKBTitleCode)TC0000860827 035 $a(PQKBWorkID)10917086 035 $a(PQKB)10790229 035 $a(CaBNVSL)mat06504614 035 $a(IDAMS)0b00006481d3e77a 035 $a(IEEE)6504614 035 $a(OCoLC)834129285$z(OCoLC)959556352$z(OCoLC)961570879$z(OCoLC)962651812$z(OCoLC)968291766$z(OCoLC)988446073$z(OCoLC)991960578$z(OCoLC)1037938462$z(OCoLC)1038621436$z(OCoLC)1045523448$z(OCoLC)1065893242$z(OCoLC)1069692565$z(OCoLC)1081293746 035 $a(OCoLC-P)834129285 035 $a(MaCbMITP)8555 035 $a(Au-PeEL)EBL3339598 035 $a(CaPaEBR)ebr10678826 035 $a(CaONFJC)MIL475572 035 $a(OCoLC)834129285 035 $a(MiAaPQ)EBC3339598 035 $a(EXLCZ)992550000001018250 100 $a20130401d2013 uy 0 101 0 $aeng 135 $aurcnu---unuuu 181 $ctxt 182 $cc 183 $acr 200 00$aSonic interaction design /$fedited by Karmen Franinovic? and Stefania Serafin 210 $aCambridge, Mass. $cThe MIT Press$d[2013] 215 $a1 online resource (391 p.) 300 $aDescription based upon print version of record. 311 $a0-262-01868-3 320 $aIncludes bibliographical references and index. 327 $aCover; Contents; Introduction; I Emergent Topics; 1 Listening to the Sounding Objects of the Past: The Case of the Car; 2 The Experience of Sonic Interaction; 3 Continuous Auditory and Tactile Interaction Design; 4 Pedagogical Approaches and Methods; 5 Perceptual Evaluation of Sound-Producing Objects; II Case Studies; Audio and Touch; 6 Perceptual Integration of Audio and Touch: A Case Study of PebbleBox; 7 Semiacoustic Sound Exploration with the Sound of Touch; 8 The Gamelunch: Basic SID Exploration of a Dining Scenario 327 $a9 ZiZi: The Affectionate Couch and the Interactive Affect Design Diagram10 SonicTexting; 11 The A20: Interactive Instrument Techniques for Sonic Design Exploration; Sonification of Human Activities; 12 Designing Interactive Sound for Motor Rehabilitation Tasks; 13 Sonification of the Human EEG; 14 High-Density Sonification: Overview Information in Auditory Data Explorations; Sound in Virtual Reality; 15 Simulating Contacts between Objects in Virtual Reality; 16 Sonic Interaction via Spatial Arrangement in Mixed-Reality Environments; 17 Heigh Ho: Rhythmicity in Sonic Interaction 327 $a18 Barking Wallets and Poetic Flasks: Exploring Sound Design for Interactive CommoditiesContributors; Index 330 $aAn overview of emerging topics, theories, methods, and practices in sonic interactive design, with a focus on the multisensory aspects of sonic experience. 606 $aSonic interaction design 606 $aProduct design 606 $aSound in design 606 $aHuman-computer interaction 610 $aDESIGN/Interactive Design 610 $aCOMPUTER SCIENCE/Human Computer Interaction 610 $aARTS/Music & Sound Studies 615 0$aSonic interaction design. 615 0$aProduct design. 615 0$aSound in design. 615 0$aHuman-computer interaction. 676 $a004.01/9 702 $aFraninovic?$b Karmen$f1975- 702 $aSerafin$b Stefania$f1973- 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910779402803321 996 $aSonic interaction design$93838882 997 $aUNINA